Der Exorzismus von Emily Rose

Solide unheimliche Szenen, die vor allem – so ähnlich wie in Der Fluch - The Grudge – das Verdienst des Komponisten Christopher Young sind. Diese Elemente eines modernen Horrorfilms, die sehr gut funktionieren, werden aber durch das Gerichtsdrama beherrscht, das eine intelligentere und würdigere Darstellung gebraucht hätte. Dank des Themas ist der Film besser als viele zeitgenössische durchschnittliche Horrorfilme. Die Autoren nutzten es aber nur oberflächlich, es ist kein Volltreffer. Im Vergleich zu Friedkins Der Exorzist ist es nur ein Häppchen, das man ziemlich schnell vergisst. Geschickt gedreht, aber mit einem durchschnittlichen Drehbuch. (26.10.2005)

A tedious battle between science and faith set in a courtroom. It’s a pretty long film – by the end I was looking at my watch – the events in the courtroom are quite boring because they are very predictable (you can figure out exactly how the case will develop and what the verdict will be). What is a little bit better are the flashbacks showing a still alive Emily. The entire film has three mildly scary scenes, very little for an almost two-hour runtime, which is a real shame because they are very effective and intense. Formally speaking, there’s not much to reproach: the actors handle their roles perfectly, the characters don’t do anything stupid and the direction is good enough. 70% (19.01.2008)

Scott Derrickson kicks William Friedkin's ass with the exorcism scene alone, but the positives don't end there. It is true that the courtroom intrigue is routine, but it’s not going to offend the more modest viewer, and thus the film’s main asset is the actual rendezvous with the forces of darkness. It’s filmed so perfectly that the producers of any ghost story remakes should get a little technical training from Derrickson. Derrickson does good work with the camera, music, and sound, meaning that many passages are very pleasantly chilling. Of the actors, the famed Tom Wilkinson clearly carries the film, but it's Jennifer Carpenter's creation that makes my chin drop. It's unfortunate about the cautious approach to the Church itself, more controversy would not have been a bad thing. Although it is a fact that it’s better this way, rather than poser shouting into the dark, as we see elsewhere. The result is a surprisingly clever and skillful film that won't cause you to have sleep problems, it will in a sense please you. (22.07.2008)

Überraschenderweise ist dies sehr anständig, wenn nicht da nur nicht die abgedroschenen Phrasen in den "Horror"-Passagen wären, verwendete ich gar ein Wort wie authentisch. Dem Film hilft hier enorm, dass sein Großteil darin besteht, nicht herumzuspuken, sondern den Gerichtsprozess mit Pater Moore zu rekonstruieren und das Dilemma, ob man den Tatsachen glauben oder das Übernatürliche zugeben soll, ist recht interessant. Die Atmosphäre ist verdichtet, und es ist in der Tat schade, dass sich der Film bemüht, den Eindruck von der Existenz des Teufels mit einer Art Sechsgroschenromanmethodik ohne Einfallsreichtum hervorzurufen. (01.04.2008)

A fine courtroom drama with an interesting and attractive premise, from which I will only remember the absolutely brilliant ten-minute or so scene of the actual exorcism of Emily Rose. It doesn't let you breathe and becomes a clear highlight of scenes of this kind, including The Exorcist. (02.12.2005)

My skepticism towards the easily outdated topic disappeared when Laura Linney first appeared and the seemingly unbelievable intention to connect a courtroom drama with a horror started to fit into the presented concept naturally and simply. When the courtroom storyline becomes too straightforward, we are given a convincing insert by the twisting Jennifer Carpenter, and when similar scenes exceed the tolerable limit, we return to another hearing. Moreover, the formula "based on true events" works reliably this time as well, and during this brisk, but above all, unpredictable film, theological and philosophical dilemmas were running through my mind non-stop. So mainly for that, I must give Exorcism a big salute, not to mention the long-awaited climax in court. (04.04.2006)

Within the genre, this is quite an atypical, one could even say original, horror thanks to the combination of a classic theme of demonic possession with a courtroom drama, where the scriptwriter and director provocatively work with the possibility of the existence of irrational supernatural evil in our material world within the framework of the trial. Flashbacks, editing, and music help create a truly oppressive atmosphere, and the excellent cast helped create an above-average genre film. I admit that I had a bit of a problem with the irrational level embedded in our modern world when the film does not appear as a stylized horror fairy tale, but as a story from reality, due to my enlightenment and modernity as a child. Overall impression: 75%. (18.04.2009)

A notch better than The Exorcist, which doesn’t have even a drop of rational explanation and the viewer must believe in the supernatural, whether they like it or not. The Exorcism of Emily Rose is much more variable and tries to look at things from different perspectives. The judicial aspect cleverly helps with this in the present, allowing us to listen to alternative opinions of people not directly involved with the accused. The theme is very interesting overall and very well executed. The exorcism scenes are incredibly explosive and captivating (far surpassing The Exorcist), effectively pinning the viewer to their seat. Equally impressive are Christopher Young's musical motifs, which create a perfect nerve-wracking atmosphere. And last but not least, we have Laura Linney's performance. A serious film about a serious topic, but one that looks at it with a cool head, and that is appreciated. (25.06.2006)

This unorthodox horror film is elevated by the decent performances and Christopher Young’s excellent music. A few eerie shots, especially in the first half, successfully try to establish a sense of mounting tension and dread, but as the trial comes into focus, we are no longer watching the ghost story we expected, but an ambitious psychological drama that tries to impress the viewer as much as possible with the fact that this actually happened. But that doesn't change the fact that Scott Derrickson is obviously a very skilled filmmaker who can portray even a trial more than engagingly, and the film, despite its length, passes like water. And I mustn't forget to highlight the performance of Jennifer Carpenter, whose gestures and tortured looks really gave me chills and who managed to increase the momentum and authenticity of this unpolished work. (05.07.2011)

I've got two major gripes with films centered around exorcism themes. Firstly, I'm not a fan of the various religions and churches depicted. Secondly, ever since Max von Sydow tried to dodge streams of pea soup, it seems like filmmakers haven't really come up with anything new (unless we count the use of CGI on the possessed). This particular film wasn't exactly a horror movie, more like a courtroom drama with added exorcism flashbacks, with the courtroom scenes being the saving grace. Unfortunately, the trial concluded with a verdict that seemed like a clever cop-out. So, for me, the film ended halfway through; I was entertained and yet not quite satisfied, and my rating reflects this mixed bag. It wasn't a terrible movie, but it had way too many flaws to leave a lasting impression on me. / Lesson learned: If you have a fit in a deeply religious family, you're in trouble. (30.07.2023)

Horror moments in the movie "In the Devil's Grip" work, but in reality, the dimension of the case and the fact of whether the defense attorney can save the accused from a severe punishment are more interesting. The film is sufficiently suspenseful and pleasantly interspersed with horror scenes featuring Emily, where some of her poses are truly terrifying. The film manages to hold your attention and has an interesting and functional crossover of genres. (25.02.2015)