Gone, Baby, Gone - Kein Kinderspiel

A powerful drama, very well written, but above all brilliantly directed. I’m inclined to agree with the opinion about the intellectual overtones mentioned several times here, the dilemma that is transferred from the main character to the viewer at the end is impressive and the last shot, my God, is perfection itself. And most importantly, the whole narrative has oomph and it doesn't matter if it's the chillingly harsh scene with a paedophile in the second half of the film or a simple dialogue between the two protagonists. A true joy to watch. And Casey Affleck? He articulates weird, he looks weird, he acts weird, but all of that together create a very interesting person that I couldn't take my eyes off. Ben, in the future, act as you did in Hollywoodland, while continuing to develop your undoubted directorial talent, and I have no choice but to repeat myself: "It was a great pleasure." (28.01.2008)

Without a final twist and uncompromisingly leaving the question “What is right?”, it would only have been a thriller with brilliant direction and performances, but with that Gone Baby Gone becomes an exceptionally intense experience and a superb drama. But is the answer to that question really that hard? Not for me. (28.07.2008)

Ben Affleck strikes back at all the scoffers over his acting talent and shows that he can do much more behind the camera than in front of it. Any absence of ill-considered steps, and on the contrary, absolutely perfect scene timing, great camera work, or excellent editing, show that there he has top talent. Especially if he chooses an excellent script next time, which will blow you away with its intensity of dialogue, a dose of life experience, and especially the final double-twist. After American Gangster, this is the second film whose absence from the Oscars is incomprehensible. (28.12.2007)

Affleck’s adaptation of Dennis Lehane’s novel is unarguably well-made, perfectly acted, absorbing with its atmosphere of an Irish suburb of Boston and especially in the night scenes it’s completely riveting. Casey Affleck in the role of the “neighborly" private detective is worthy of the supreme acting accolade, just like many of the supporting actors. Seemingly the perfect crime movie. However, there is one small but. After the scene with the attack on the house and one subsequent conversation, it is absolutely clear “who, how and why". However, a long-winded half hour of wannabe surprising revelations follow. Not that it matters that much, since the picture culminates in these scenes in terms of acting, but as a whole it needlessly loses energy. At least the complete end with the repercussions of a certain decision is again back to the standard of most of the movie. In other words, at the qualitative zenith of the genre. After his feature-length directing debut, I’ll have to keep an eye out for Ben Affleck. With his economical and firm-handed directing that doesn’t draw attention to itself, he is very similar to Clint Eastwood. Let’s hope it stays with him and that he will no longer prance around in front of the camera. Both for his and mainly for our own good. (07.01.2008)

This story looks like a classic. One crime that not only changes the lives of all involved, but completely turns them upside down. And all with the help of a constantly twisting script, which is so cleverly narrated that you won't start twisting at any turn, wondering what we just saw. And when something similar almost happens, like during the key action at the quarry, the voiceover of the main character immediately assures you that you are definitely not alone in it. What surprises me the most is how quickly the story won me over, so that despite the anonymity and ordinariness of the character Patrick, I was scared of him after a few minutes and experienced all the crucial decisions with him. Affleck's directorial certainty is therefore an unimaginable promise not only for the genre. (09.03.2008)

A disturbing, intelligent thriller with a provocative theme and an even more provocative climax, which pits law and justice against each other, i.e., the criminal code and morality. It even explores the boundaries of ethical behavior by relativizing the concepts of good and evil. Its characters are not black and white and are also exposed to extreme situations that require truly fundamental and difficult decisions. The clever script has several significant twists in the perspective of the characters and their actions, and the film can be watched not only as a brilliant detective story but also as an excellent psychological drama. Moreover, the film is brilliantly cast and professionally directed and acted. I have absolutely no problem giving it five stars. Overall impression: 95%. (14.06.2011)

A quality film for one evening. It's not an Oscar-worthy masterpiece, nor a film that you could watch twenty times and still discover something new, it's ordinary, austere, technically simple, and quite effective in certain moments. But the storyline isn't that elaborate, and many things can be guessed from the course of the film. Above all, Ed Harris is outstanding. The ending didn't deliver the catharsis I expected, but it has a logical culmination. Ben Affleck is definitely better behind the camera than in front of it, and I think that has surprised many film fans, especially since it's his directorial debut. (09.08.2008)

Bis zur Abschlussenthüllung war es "nur“ ein guter Film, aber dann ist daraus ein ausgezeichneter Film geworden; einer von denen, bei denen man wirklich darüber nachdenkt, wie man selbst gehandelt hätte. Und das ist heutzutage wertvoll. Ich mag die Werke von Dennis Lehane und es ist gut, dass ich gerade dieses Buch so lange nicht auftreiben konnte und dass ich es im Gegensatz zu "Mysterious River" oder "Shutter Island" nicht vor dem Film gelesen habe. Umso größer war meine Überraschung und das Erlebnis. Ich finde, dass hier Morgan Freeman auf relativ kleinem Raum eine seiner besten Leistungen erbracht hat. (15.03.2015)

Dieser Junge sollte sich schon früher der Regie widmen, denn er ist zweifellos ein Talent. Dieses meisterhafte Drama, das mit jeder Minute an Intensität gewinnt, wird Sie umhauen. Es strahlt Roheit, Realismus und ein Gespür für das Schreiben genialer Drehbücher aus. Die Affleck-Brüder haben angenehm überrascht. (23.07.2011)

I can forgive a lot of things, but the fact that the film gets virtually nowhere despite three tons of moralizing and wannabe "think about that" bullshit, hardly. I'm not of the opinion that a film needs to have a statement, but if it's fucking pretending to be one all the time, it could at least live up to expectations. An asterisk for the scene in the pedophile's lair. (09.11.2009)

Dennis Lehane gehört zu den beliebten und dankbaren Schriftstellern, deren literarische Werke Filmemacher gern als Stoff für Adaptionen auswählen. Lehanes durchdachte Romane voller fesselnder Plots und krachender Wendungen stellen einen fruchtbaren Boden dar, um auf Filmleinwände gebannt zu werden. Gone, Baby, Gone - Kein Kinderspiel bestätigt alles Gesagte, ein nichttraditioneller Krimi, angesiedelt in einem Problemviertel in Boston. Die Zusammenarbeit der Brüder Affleck trägt Früchte, Casey Affleck lenkt in dem stark besetzten Streifen die Aufmerksamkeit auf sich und schlägt sich bereits mit dieser Rolle den Weg zu einem Oscar. Michelle Monaghan wiederum erschien mir recht unauffällig und stand im Schatten aller übrigen Protagonisten. Bis auf Patricks abschließendes Verhalten hat mir im Film alles gefallen, ich bin zufrieden. (03.04.2021)

Do you remember Ben Affleck? Definitely, yes, his star hasn't fallen, quite the opposite. He is the actor that many people couldn't stand precisely because of how he acts/doesn't act. However, he managed to win an Oscar. Not surprisingly, for the screenplay of the movie "Good Will Hunting". It turned out that he is not only a great screenwriter but also an excellent director. His first success was precisely the film "Gone Baby Gone", for which he also wrote the screenplay. If something speaks to you in the movie, then it is love for the city. Not the beautiful things that are shown to tourists, but love for the city as it is. "Gone Baby Gone" is not a detective story, it is mainly focused on one person who seeks justice at any cost. The law is the law, and even though his methods are very harsh, his language is not refined, and his age is young, he always seeks the truth at any cost. A great, powerful story about a child abduction, a brilliant ending, and unexpectedly good performances by the actors. Maybe it's because an actor who becomes a director knows what he wants from actors. More: http://www.filmovy-denik.cz/2012/04/diar-milovnika-filmu-c-005-reziser.html (15.02.2013)

Gritty and depressing, yet very well done and a truly amazing directorial debut from Ben Affleck. I think words like "hopelessness" and "inescapability" more than aptly describe Gone Baby Gone. Cinematically it's truly brilliant (writing, directing, editing, actors), to the point where it makes you wonder if it wasn’t completely robbed by the Academy. The brotherly collaboration worked out perfectly, with Casey Affleck excelling as the young private detective and Ben Affleck more than pleasantly surprising as the director. Gone Baby Gone is not a "nice" movie. In the flood of all sorts of Hollywood tearjerkers, it is a stark reminder of what we call reality in today's world. (12.03.2009)