Bube, Dame, König, grAS

Ein Toben von vier abgefeimten Gangster-Gruppen mit einem originellen Drehbuch und einer originellen Regie, das die Welle eines neuen Subgenres startete. Ich fühle mich ein bisschen schuldbewusst, dass ich einem Film, der eine unerschütterliche Position unter den besten Gangster-Filmen hat, nur vier Sterne gebe. Wenn ich ihn im Jahr 1998 gesehen hätte, vor Snatch - Schweine und Diamanten, der noch ausgefeilterer ist, würde dieser Film alle fünf Sterne bekommen. (14.09.2011)

Eines, dass sich mehr als nur sehen lassen kann. Die Handlung ist nicht besonders verzwickt, jedoch hat sie mit einer solchen Leichtigkeit geschriebene Dialoge und eine derart elegante Regieführung, dass man dabei einfach Spaß haben muss. Sogar die Hauptfiguren sind es wert und werden sicherlich allen genüge tun, die eine solche Art von kriminellem Karikaturismus mögen. Infolgedessen hat mich Snatch - Schweine und Diamanten wahrscheinlich mehr in seine Action hineingesaugt, jedoch ich habe mich hierbei trotzdem großartige. (16.04.2007)

Guy Ritchie is sometimes inaccurately referred to as the British Tarantino. In any case, his distorted dark comedy about eccentric characters of the British underworld, full of slang, unbelievable vulgarisms, and one-liners, as well as characters, motives, and misunderstandings, has achieved extraordinary resonance, and Ritchie successfully imitated the same style several times. The film is significantly influenced by music videos and commercials, and for the sake of authenticity, the director even used non-professional actors - the small-time criminals, whom he cast as members of the British gallery. It was entertaining, fast-paced, and filled with great filmmaking energy. The term Ritchie Style was born... Overall impression: 90%. (15.02.2013)

The incredibly well-thought-out script, which beautifully leads to a typically "Ritchie-esque" ending from the very first scenes, hand in hand with refined execution, forms a unique whole, which is a joy to watch with pure cinematic pleasure. By strict standards, the carefully dosed blend of violence, pitch-black humor, and all sorts of absurdity are filmed at a rapid pace, where detailed camera movements persist, just like the quick editing or low-angle shots of the slowly walking characters. But beware, this is no Michael Bay film! Ritchie has a very distinctive storytelling style in which he somehow omits the main characters and only outlines the diverse panorama of London's underworld. It must be acknowledged that due to the effort to be witty and cool at all costs, sometimes Ritchie slips into gratuitousness, and the plot becomes overly contrived. But who cares if you're rolling on the floor laughing? I certainly don’t. (17.11.2005)

Maybe Ritchie took over the genre of witty gangster films from Tarantino, but both here and especially in Snatch, he proved that Quentin, with his first films, can skate. I'll probably never understand how a screenplay with such characters (the black guy from the bar speaks for everyone), plot (half a million, junkies, machine gun, cop, and a lot more), and directorial gimmicks, with which Guy completely brims, can be invented. Chill soundtrack, the beginning of a new era, and the creation of a cult parody. (19.02.2006)