Das Relikt

Ein gewöhnlicher und absolut einfallsloser Beitrag zum Hollywood-"Horrorfilm", dem eine hübsche Wissenschaftlerin, ein harter Detektiv und ein durchschnittliches digitales Monster reichen. Ein dezent bewältigtes Handwerk; eine Unterhaltung, die nicht langweilig ist. Man wird sich den Film aber nicht lange merken. Octalus - Deep Rising war unterhaltsamer und hat geschickter mit Klischees gespielt. (16.06.2003)

One of the mistakes of Paramount, a company that hoped to create a blockbuster horror film, but instead ended up with a completely mediocre and forgettable horror flick, mainly due to the weak screenplay by Amy Holden Jones and John Raffo, who had written a lot before, but found themselves in the horror genre for the first time and I presume also the last. The film is based on the novel of the same name by Douglas Preston and Lincoln Child, and it can be said that the good aspects, i.e., the basic idea and the core of the story, come from the literary source. Peter Hyams' direction is so ineffectual that it definitely didn't help the screenplay. Considering that over 65 million dollars were pumped into the film, the result is quite sad, although the monster is worth seeing and especially the museum interiors are architecturally interesting. But I don't know if this sentence is sarcasm concerning a high-budget horror film. It simply lacks atmosphere and a certain genre rhythm, which is usually created by editing and camera shots. Overall impression: 45%. (03.01.2008)

Ein sehr solider und unterhaltsamer Horrorfilm mit einer angenehm großen Anzahl von Figuren (man sieht, dass es eine Buchvorlage gibt), sympathischen Schauspielerinnen und Schauspielern, einem gelungenen Monster von Stan Winston und mit einer gut funktionierenden Musik von John Debney. Peter Hyams mag zwar vor allem ein Regisseur von zweitklassigen Filmen sein, aber ich wünschte, dass alle zweitklassigen Filme so solide wie seine gemacht wären. Dreieinhalb. (01.08.2015)

The effort was great and this is no rubbish, but those 100 minutes are a bit too much for a horror B-movie that you know will bring absolutely nothing new and interesting, which is very noticeable in this case. It's true that the atmosphere of dark cellars and deserted corridors has something going for it, and the final form of the murderous monster isn't bad at all, but when you're not directly searching in the dark with a torch or watching another attack, there's not much to the film. Moreover, the shabby editing doesn't allow us to see a single killing, as they say, straight on, which is also a big handicap. I was even considering 3*, but the stupid and overly "spectacular" finale put me off completely. (18.08.2012)