Regie:
Dušan KleinDrehbuch:
Ladislav PecháčekKamera:
Peter BeňaBesetzung:
Pavel Kříž, David Matásek, Linda Rybová, Filip Antonio, Emily Laura Hassmannová, Lukáš Vaculík, Josef Somr, Eva Jeníčková, Denisa Nesvačilová (mehr)Inhalte(1)
Štěpán, Kendy and Karas are still after 12 years themselves and best friends. Their inexhaustible sense of a humor and the ability of self-irony, perhaps with a little touch of skeptics, helps them to figure out their order-less life. Kendy is frustrated with shooting commercials and as a bulldog goes for his dream which is directing of a feature film. Karas has decided to pamper his dream car "Blue dream" only virtually. He is more interested in a beautiful teacher Drábková. Štěpán is a deputy of a consultant in the hospital, where he is in a fight with a tough manager. Who is no one else then the well-known Vendulka. His biggest worry is a thirteen year old son Štěpánek, who Štěpán, after the dead of Anička-Zrzečka, raises himself. Karas and Kendy know that this isn't the ideal situation. They decide to find the right women for Štěpán. But they are not alone with this idea. (Verleiher-Text)
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Der Zuschauer erlebt kein Wunder, aber er begegnet fast allen beliebten und unbeliebten Figuren aus vorherigen Teilen, in ihm erwacht Nostalgie, er lacht, wird traurig und amüsiert sich insgesamt recht gut mit dem Film und wird gut unterhalten. Es ist absoluter Durchschnitt und eine tiefe Verbeugung vor Linda Rybová, sie wird überhaupt nicht alt und sieht absolut toll aus.
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Wir können davon ausgehen, dass dies das wirkliche Ende der Poets ist, da Klein mit ihnen in den Ruhestand ging. Ich hatte die Gelegenheit, das Drehbuch im Voraus zu lesen und die Dreharbeiten in Kladno zu sehen. Und obwohl ich es nicht geglaubt habe, brachte das Umschwenken in die Position einer Familienkomödie das Ganze zu einem schönen Abschluss. Linda Rybová ist als süße und zerbrechliche Alleinerziehende eine passende letzte Liebe für Štěpánek. Auch Kendy hat seinen Zenit erreicht und überlegt, endlich einen eigenen poetischen Spielfilm zu drehen. Theoretisch könnte Šafránek jr. natürlich in die Fußstapfen der ursprünglichen Amatéři treten, aber es ist fraglich, ob so etwas überhaupt notwendig wäre.
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A season pass for nostalgia for those of us who have remained – and probably will remain – sentimental fools. Here the circle closes and the balance is drawn over all kinds of life losses, but despite that, a spark of hope remains in the heart, that one miracle will truly come one day. Thanks to the touching storyline of Professor Ječmen, it is also obvious that Ladislav Pecháček himself is saying goodbye, and that only now, more than three decades after the creation of the first installment, the world is definitively losing poets.
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Nicely nostalgic, actually quite mature, and sometimes quite lovely, but I can't help feeling like the poets have run out of things to say and are just nostalgically reminiscing about better times. But this certainly isn't as much of a disaster as I feared it would be. Actually, it was... well, kind of pleasant. I'm not offended.
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After so many sequels, the subject matter is now rather outdated, so it's not surprising that the story itself drags a little. There are fewer funny lines and truly humorous situations, but at least the lyrical poetry doesn't lose any of its charm. Overall, this was more a case of nostalgia, pleasantly refreshed by Štěpán's new object of desire, played by the ethereal Linda Rybová. (55%)
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