Das Omen

Es gibt nur einen Der Exorzist. Und so eine Gänsehaut, die ich bei seinem Finale bekam, werde ich wahrscheinlich bei keinem anderen Film mehr haben, aber… Aber Das Omen ist auch spitze. Besonders Goldsmiths Musik. Die habe ich mir schon früher angehört. Erst hier war sie aber so dämonisch, dass ich verstanden habe, warum sich die taube Jury endlich bequemt hat, Goldsmith den Oscar zu verleihen (obwohl er längstens mindestens drei für Planet der Affen, Patton - Rebell in Uniform und Papillon haben sollte). (22.06.2016)

Am I the only one, or do you also have the feeling that currently every other brat standing next to you waiting for the bus might be the Antichrist, just unaccompanied by Goldsmith’s soundtrack of genius? Well, even if you don’t, believe me that The Omen is one of those rare horror movies from a period when this genre relied heavily on atmosphere and actors. It could easily be put on the shelf in between The Exorcist and The Medusa Touch (not only because of its release year), although Damien and his pooch are slightly overshadowed by them. Not much, but a bit, you must admit. Satan’s little boy’s reputation is saved primarily by the glorious ending, although the endings of the other two are still better. (26.03.2008)

An amazing piece of filmmaking supported by an equally amazing music score. The story at the beginning is a bit too tedious for my taste, but things improve with every minute, and the last half hour (or rather, from the visit to the cemetery on) it’s already a five-star worthy experience. One of the most balanced horror movies I've seen, where not a single component (direction, music, actors, script) lags significantly behind the others. (18.05.2008)

The skillfully written plot, in which the basic concepts of Satanism are explained in a very effective way, has lost none of its captivating qualities even after all these years. The tension builds up with almost "step-like" precision and leads to the end, where the final fifteen minutes should be taught as a lesson - there were moments when I even forgot to breathe. An interesting setting with cold, grand buildings, including the ambassador's house and numerous churches, adds to the uncertain investigation of Gregory Peck, who is a joy to watch. Together with him, the film creates an almost unhealthy emotional tension, to which Jerry Goldsmith's music significantly contributes. In my opinion, The Omen is the best film of its subgenre. Nonetheless, I give it "only" four stars because horror movies with Satanic themes never really grew on me. (29.09.2005)

Unprecedentedly intensified atmosphere, nerve-wracking scenes in the cemetery, and of course the climax in the villa. Although it is not a purebred horror, one of the factors why I liked Donner's work so much is that apart from one of the final moments, he does not use traditionally scary moments, which greatly contributes to the claustrophobic mood. However, I would not praise it so much if it weren't for the traditionally amazing Peck in the main role, whose increasing nervousness, determination, and despair I watched in awe. This atmosphere can crawl into nightmares. (17.11.2006)