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Woody AllenDrehbuch:
Woody AllenKamera:
Remi AdefarasinBesetzung:
Scarlett Johansson, Woody Allen, Hugh Jackman, Romola Garai, Ian McShane, Fenella Woolgar, Matt Day, Robert Bathurst, Charles Dance, Nigel Lindsay (mehr)Streaming (2)
Inhalte(1)
Während einer Zaubershow erscheint der Journalistik-Studentin Sondra der Geist des verstorbenen Reporters Joe. Der beschuldigt einen jungen Aristokraten des Mordes und vermutet hinter ihm den gesuchten „Tarotkarten-Killer“. Gemeinsam mit seiner Hilfe soll Sondra dem Killer das Handwerk legen. (ServusTV)
Kritiken (6)
In the type of role which gets usually bagged by Woody Allen, Scarlett Johansson maybe tries a bit too hard. But the rest is quite good – at last I don’t mind Allen’s acting, Jackman is great, and Scarlett is at very least gorgeous. The screenplay is average, uninventive and completely predictable. It flies by quite smoothly and a couple of funny scenes work well... But it’s more of a put your feet up movie rather than a “masterpiece" in the good old Woody style we know so well.
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I'm wondering why Allen's occasional viewers usually consider "Sólokapr" a pleasant comedy, while his more regular audience remains disappointed. I stayed somewhere halfway. There is no disaster, on the contrary. Some gags work perfectly and perhaps Woody couldn't have chosen a more grateful role for his acting farewell for the next few years. However, in competition with dozens of his other works, I come to the inevitable realization that I have seen the individual components of the story elsewhere and differently. And better. Especially Scarlett does not fit at all into the role of the main neurotic. Although she delivers great lines during arguments with the magician, there is no personal charisma, and above all, no chemistry with the usually flawless Jackman.
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Woody Allen is like a likable, elderly, hyperactive uncle who visits his relatives once a year and entertains everyone with his storytelling and unstoppable wit. Even though it seems like you've heard some of his jokes in slightly modified form a few years ago, it doesn't matter at all because he has a unique charm and belongs to the family. Woody Allen directed one of his typical comedies, where he traditionally cast himself in one of the lead roles. Match Point, although significantly deviating from his other works and impressing me with its freshness, didn't disappoint me in this traditional Allen position either. He is one of the few directors who perhaps can't make a bad film. They are at worst good, and if I exceptionally give him two stars, it's only because we have different tastes thematically. While Scoop is not among his best films, it is definitely a decent piece within his body of work, with traditional bon mots, jokes about the Jewish community, and his surroundings. It must be said that Woody Allen is getting older and should find a suitable replacement for him in the acting roles. Scarlett Johansson is charming, and considering that the director has cast her three times already, there might be a special chemistry between them that Allen's partner would probably describe differently. Overall impression: 75%.
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This is exactly what a Woody Allen film looks like without his wit, sophisticated insight and creativity. A bunch of stilted dialogue, not even Scarlett Johansson in a swimsuit can save the wtf story and the feeling that this film was actually pointless and about nothing. The ending is like a copy of Match Point, which was still a much better film as a whole
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Three and a half stars. I really liked the scenes set on the ship of the dead, Woody Allen's character and the music, but I was quite disappointed and annoyed by Scarlett Johanson. She looked good with Hugh Jackman, though.
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Woody Allen is simply interesting in every form, and even though it's not perfect, even though it sometimes squeaks, it's still a result he doesn't have to be ashamed of. His acting is more of an echo and I think it's understandable that he has mostly wrapped it up. He chose interesting actors, but the best thing about this otherwise average film is the script, which is actually a comedic thriller that works. It's not something great, some elements are unnecessary, like the ending, but the idea is interesting and quite cleverly executed.
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