Regie:
Richard LinklaterKamera:
Shane F. KellyMusik:
Graham ReynoldsBesetzung:
Glen Powell, Adria Arjona, Austin Amelio, Retta, Molly Bernard, Ritchie Montgomery, Kate Adair, Jordan Salloum, Mike Markoff, Richard Robichaux (mehr)Streaming (3)
Inhalte(1)
Psychologie-Professor Gary Johnson (Glen Powell) führt ein eher unaufgeregtes Leben an der Universität, nur sein neuer Nebenjob beim New Orleans Police Department sorgt für Abwechslung: als vermeintlicher Killer dient er als Lockvogel, um seine Auftraggeber hinter Gitter zu bringen. Gary zeigt überraschendes Talent darin, sich für jeden seiner Kunden maßgeschneiderte Killer-Persönlichkeiten auszudenken und zu verkörpern. Für Garys erstes Treffen mit der attraktiven Madison (Adria Arjona), die ihren gewalttätigen Ehemann um die Ecke bringen lassen will, denkt er sich die Figur des abgebrühten Killers Ron aus. Doch plötzlich wird es kompliziert: Madison gefällt ihm sehr und zum ersten Mal versucht Gary, jemanden vor dem Gefängnis zu bewahren, statt verhaften zu lassen. Als Madison sich dann tatsächlich in den coolen und sexy Ron - alias Gary - verliebt, löst ihre heiße Affäre eine unheilvolle Kettenreaktion aus. Denn auch Madison hat noch nicht alle Karten auf den Tisch gelegt... (Leonine)
(mehr)Kritiken (7)
The genre classification here raises expectations of a slightly different experience, but the resulting film is neither much action nor much comedy, so beware. That said, I was pleasantly surprised. An original idea, a nicely thought out script, hugely charismatic characters (Glen Powell has been on a really nice run). A very accessible film for the audience, and yet you can feel Richard Linklater's indie roots in every frame. PS: Coincidentally, I saw Hit Man on the same day as the Czech film Mr. and Mrs. Stodola, so it was an unplanned, dramaturgically very interesting double bill :D ()
I was drawn to this film because of director Richard Linklater. The premise seemed promising, too. I guess the problem lies with the actors — they seem completely disengaged, making it hard to care about what happens in the movie. For a comedy, this is especially challenging because it’s supposed to be entertaining, and it just isn’t. In the end, the concept is good, but everything else falls flat. ()
Richard Linklater is quite an unexplored director for me, his work has always passed me by, so I didn't have high expectations and I wasn't too impressed either. The action was non-existent, the humour minimal to nonexistent and the whole thing hinged on the likable duo of Glen Powell and the beautiful Adria Arjona, but I didn't find the plot engaging, imaginative or very interesting either. Too simple for me without any interesting plot twists. Just average. I'll forget it tomorrow. 5/10. ()
A clever, well thought out script with a message about the fear of changes in life. Great pacing, top-notch acting – the dialogue! – Glen Powell disappears into the role. The story builds beautifully and there is no action at all. A lovely romantic film, with which Richard Linklater fulfills the dream of a lot of overweight, bespectacled students of getting their chance to bed that Adria Arjona. And it will only cost them the loss of their own personality. ()
As an undemanding look at the beautiful Adria Arjona and the likeable Glen Powell, this film is sufficient, but otherwise it's certainly nothing that deserves more hype. In fact, it is not a comedy by any stretch of the imagination and for how funny an idea it offers, I didn't laugh once; overall the film keeps its humour pretty low key and any funny sequences that could have potentially come out of the plot are completely absent. So in the end it's purely an ordinary story where a normal guy accidentally gets caught up in pretending to be a hit man and somehow falls in love with his "client". There is no action or humour, but luckily it is saved by a sufficiently fine lead duo, the feel-good aura of the whole film and the final "fight" in the apartment, which was at least a bit worth it. Watchable without any harm, but judging by the reviews I was expecting a much bigger, more memorable and entertaining thing. ()
I settled down, expecting an action-comedy, but twenty minutes in, I paused and checked the movie description to make sure I wasn’t dyslexic — it really did list Action/Comedy. It threw me off because it wasn’t exactly action-packed, nor was it a typical comedy. To me, it felt more like a lighthearted drama, which isn’t a bad thing at all. In fact, I enjoyed the film’s style more than I anticipated. The story itself wasn’t groundbreaking, but it highlighted how crucial well-written dialogue is for a good script. The film didn’t pretend to be more than it was — an enjoyable, easy-going watch that didn’t overtax my brain, yet still felt intelligently crafted. Plus, Adria Arjona was great to watch, and I have to give props to Glen Powell. He nailed the role of a man who adeptly plays various roles himself. His performance was stellar; each character he portrayed looked and felt distinct, and it wasn’t just thanks to the makeup team. I ended up enjoying it a lot more than I expected. / Lesson learned: I'm not entirely sure if good triumphed over evil, but life isn’t a fairy tale, and sometimes it throws us moral dilemmas. ()
I haven’t seen such chemistry between a lead pair in a long time. Glen Powell has become one of the most sought-after actors since the second Top Gun... and rightly so. This young man is brimming with charisma. I’m also curious about the future projects he’ll commit to. And Adria Arjona? She definitely has some acting talent, but more importantly, she has a strong sex appeal, which she demonstrated multiple times here. It’s a shame that, aside from the great chemistry between the two leads, the story didn’t take more creative risks. The premise offered many interesting directions the central narrative could have taken. Still, I managed to enjoy it. At least the ending had a bit of a surprise. It’s a nice, easygoing entertainment for a Saturday afternoon. I give it a solid 6.5/10. ()
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