Caligula

Caligula is a profligately perverse and operatically opulent work not only in the sense of what was finally shown on the screen, but also in terms of the production concept and the collision of the multiple obstinate visions of the pompous egomaniacs who came together for this project. Caligula allegedly exists in multiple versions and I am personally of the opinion that in order to fully appreciate all aspects of this work, it is necessary to experience the longest version available, with a 156-minute runtime. Of course, it is bastardised and vulgar and disregards Tinto Brass’s putative creative intent in favour of the unhinged irrationality of Penthouse founder Bob Guccione, who served as the film’s producer. But that is exactly what Caligula is supposed to be, an ostentatious megalomaniacal vision of ostentatious megalomania, the corrosion of judgment in a position of absolute power and unquestioned authority. One could just as well be amazed at the delirious blending of the aesthetics of modern opera with Brass’s promiscuity and Penthouse’s boudoir pseudo-eroticism. The sets combine cheap spectacle with design exuberance, where living statues of penetrating performers become part of the scenery, with acting greats pompously declaiming around them. Caligula is simply a manifestation of the impertinence of Guccione’s ambition to make an epic adult film, for which he fittingly chose the equally pompous swine Vidal and Brass. But despite the arrogant declarations of these two men, the film remains Guccione’s project, thanks to which it comes across as so uniquely unhinged. ___ It’s cute that Thomas Negovan, as an obstinate fan, peculiarly convinced of the correctness of his view, embarked on Caligula – The Ultimate Cut (formerly also Caligula: Orgy of Power). Emboldened by the idea that he would elevate the ridiculed and maligned work, he set out to improve the sets by means of computer tricks, throw out explicit shots and to mine previously unused material for performances that seem less absurd. He swore that his version would be a Brassian director’s cut based on the last version of the screenplay. Brass was dismissive of the whole project and brought a lawsuit against it. That ultimately means that in this case it isn’t a contribution to the adored category of director’s versions, but we rather find ourselves exclusively in the realm of modding or fan editing, where only die-hard fans refuse to accept a work as it is presented to them. In other words, a fine curiosity, but there forever remains only one Caligula – bastardised, phantasmagorical and irrational, but also fascinating because of that. (16.07.2023)

Von all den Filmen, die von einer Aura der Unwirklichkeit, des Bösen, der Orgien und der verbotenen Früchte umgeben sind und die man am besten schon sehr früh sieht, um die moralische Erziehung der Jugend zu erhalten, ist nur Caligula ein echter Schatz. Er schafft es, seine Faszination für den Stoff aufrechtzuerhalten, indem er unbeirrt eine wunderbare Kombination aus den führenden Schauspielern seiner Zeit und den professionellen Statisten von Penthouse liefert. Nie gab es einen besseren Film über die glorreichste Ära der ersten Kaiser. Der junge Caligula vergnügt sich mit seiner Schwester Drusilla, schmeichelt seinem Großvater Tiberius, und es dauert nicht lange, bis Caligula zum Kaiser Caligula wird und seine vierjährige Herrschaft der Extreme beginnt. Symbolisch versteckt sich Claudius irgendwo in einer Ecke und die einst gefügige Caesonia wird zur Mutter von Caligulas Geschlecht. Eine der verrücktesten Szenen ist die Segnung des Brautpaares, die in einem kaiserlichen Bordell mit den Ehefrauen der Senatoren ihren Höhepunkt findet. Dazwischen liegen jedoch die liebevollen Szenen der Versöhnung von Drusilla und Caesonia und die berühmte Beförderung eines Pferdes zum Senator. Fantastische atmosphärische Kunstwerke mit bunten Filtern, toller Musik und wunderbaren Kostümen. Schade, dass zum Beispiel Helen Mirren heute für ganz andere Rollen gewürdigt wird. (03.05.2012)

The character of Caligula has immeasurable narrative potential, which this movie successfully and very brutally kills. One look at the cast and the bushes and it’s clear what Brass’s intentions were when shooting the film. A pointless orgy that may boast a certain questionable historical basis, but ultimately it’s almost devoid of any higher meaning. Two stars only for the music, the actors (but for God's sake not the bushes) and for the courage to portray the famous bohemian emperor from a slightly different, maybe more realistic perspective. 45% (28.12.2014)

Brass's Caligula is overly pap and theatrical, but quite impressive in its depiction of the utter decline of humanity caused by power. (23.06.2008)

The movie is exactly as its reputation suggests. There are pornographic scenes that somehow fit with Rome, but they only serve to unnecessarily lengthen the film, resulting in a rather boring and predictable story. Even without knowledge of history, one can still guess that a person like this simply cannot live for too long. Malcolm McDowell is excellent, but the overall concept is rather hostile and hard to engage the audience. (27.05.2014)