Ein Mann namens Otto

  • Österreich Ein Mann namens Otto (mehr)
Trailer 5

Inhalte(1)

Basierend auf dem ebenso witzigen wie bewegenden #1 New York Times Bestseller, erzählt Ein Mann namens Otto die Geschichte von Otto Anderson (Tom Hanks), einem mürrischen Witwer, der sehr auf seine Gewohnheiten fixiert ist. Als eine lebhafte junge Familie nebenan einzieht, trifft Otto in der schlagfertigen und hochschwangeren Marisol (Mariana Trevino) auf eine ebenbürtige Gegnerin. Diese Begegnung führt zu einer unerwarteten Freundschaft, die seine Welt völlig auf den Kopf stellt. Erleben Sie eine lustige, herzerwärmende Geschichte, die beweist, dass sich einige Familien auch an den ungewöhnlichsten Orten zusammenfinden können. (Sony Pictures AT)

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Trailer 5

Kritiken (3)

Goldbeater 

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Englisch No, it was really lemonade. Very well made, honest work, but it hurts your teeth from all that sugar. ()

EvilPhoEniX 

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Englisch I wasn't too impressed with the original either, but I found this one a bit more digestible thanks to Tom Hanks. It's still just a drama though, nothing more, and I'm certainly not going to root for them and give them plus points for nothing either. The occasional humor is fine, but there's little of it, the pacing is slower, and the whole thing just flows along without much interest or enjoyment on the part of the viewer. The most interesting scene for me was the gentleman's fall onto the tracks. Some people are warmed by this, others by Gore!! :) ()

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Necrotongue 

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Englisch I regret missing out on the Swedish original because, apart from Oscar, I've yet to encounter an American remake that surpasses the original movie for me. I've grown somewhat weary of Tom Hanks's recurring hero roles. Fortunately, he soon won me over as a grumpy old guy character, and made me remember Falling Down. However, as the story progressed, my initial enjoyment waned, giving way to clichés and an abundance of melodrama that I typically find off-putting. The film gradually lost its allure for me, especially with the emergence of Malcolm, who served as a reminder of the prevalent trend in contemporary cinema — placing more emphasis on promoting fashionable politics rather than focusing on quality writing, direction, and acting performances. This trend has always been a source of irritation for me and continues to be so when it feels forced upon the audience. Consequently, despite not considering the film a complete waste of time, my enthusiasm remained muted. Maybe I should have read the book instead. ()

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