Inhalte(1)

Die beiden Agenten Tom und Nathan verbindet eine lange, wechselhafte Freundschaft. Als Tom in Lebensgefahr gerät, greift Nathan zu unkonventionellen Mitteln, um dem Freund zu helfen. Tom wird in China beim Versuch einer Gefangenenbefreiung verhaftet und soll hingerichtet werden. Nathan versucht alles, um heimlich seine Befreiung zu organisieren.
1991: Der CIA-Agent Tom Bishop (Brad Pitt) wird bei einem Alleingang in einem chinesischen Gefängnis der Spionage überführt und soll nach 24 Stunden hingerichtet werden, wenn sich die US-Regierung nicht zu ihm bekennt. Gleichzeitig stehen die Vereinigten Staaten vor einem Handelsabkommen mit China, weshalb die Mächtigen zögern, sich für Bishops Freilassung einzusetzen. Sein Kollege Nathan Muir (Robert Redford), der Bishop einst für den Geheimdienst rekrutiert hat, tritt seinen letzten Arbeitstag an und soll seinen Vorgesetzten Auskunft über seinen ehemaligen Schützling geben. Im Wettlauf gegen die Zeit berichtet Muir, wie er Bishop während des Vietnamkriegs kennen gelernt und ihn im geteilten Berlin ausgebildet hat. Nach einem verhängnisvollen Einsatz im Libanon, bei dem sich Bishop in die Britin Elizabeth Hadley (Catherine McCormack) verliebte, kam es zwischen den beiden - mittlerweile zu Freunden gewordenen - Agenten zu Meinungsverschiedenheiten über die Arbeitsmethoden der CIA und schließlich zum Bruch. Als Muir klar wird, was Bishop zu seinem Alleingang in China getrieben hat, beschließt er, alle Hebel in Bewegung zu setzen und ihn auf eigene Faust zu retten - auch gegen den Willen seiner Vorgesetzten. (ZDF)

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Kritiken (7)

POMO 

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Deutsch Robert Redford setzt sich am Anfang ins Büro und erinnert sich an die Spionageabenteuer, die er mit seinem Kumpel Brad Pitt erlebt hat. Bis zum Ende verlässt er das Büro nicht. Ein Flashback-Spionagemosaik, das denkt, dass ihm ein intelligent geschriebenes Drehbuch ohne ordentliche Actionszenen und ausgefeilte Hauptfiguren reicht. Das ist ein Irrtum. So viel Aufmerksamkeit einem 130-minütigen und komplizierten Drehbuch zu widmen, ohne dass dann eine Belohnung kommt… nein, danke. ()

Lima 

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Englisch I can have all the reservations I want about the script, but the fact is that Scott is an excellent craftsman, his direction is dynamic, and the plot moves forward quickly. That's why the two hours went by like water and I didn't have the feeling of plot fragmentation thanks to the frequent flashbacks. I must also praise the production design, the realities of Beirut with streets full of chaos looked really convincing. And the actors? Redford is still awesome and a great actor, even at his age, and Pitt is just Pitt. Again, he didn't forgo his typical acting mannerisms in places, but he won't change. All in all, an above average thriller, but only for one viewing. Three and a half stars. ()

Malarkey 

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Englisch It’s been a long time since I saw Spy Game for the first time. It was at a time when I was terribly biased against Tony Scott. I was bothered by the way he told his stories, where if you miss a second, you immediately get lost in the plot. Or at least I have always felt like that. I actually felt the same way about Spy Game. But I decided to try my best with this movie and I must say that it made me happy in all respects. The story is realistic; it reminds me a bit of French films from the seventies. Robert Redford and Brad Pitt deliver great performances and it’s a pleasure to watch them. I don’t think I’ll ever forget the scene in Berlin where Redford trains Brad and sends him to an absolutely unknown balcony. This wonderful scene and their friendship are a true joy to watch. ()

gudaulin 

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Englisch This is a film with sober ratings and average reviews, but for me, it is Tony Scott's best film and one of those rare cases of action-packed spy drama that I can really appreciate. It's quite typical that this film has much lower ratings than a series of absurdly exaggerated action-packed films. Of course, the screenplay has its flaws here and there, which is why I am not giving it a five-star rating, but Robert Redford is excellent, the film maintains tension practically throughout, with dynamic editing that has nothing to do with choppiness, and especially the parts set in Beirut are precise in terms of action. Overall impression: 85%. ()

3DD!3 

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Englisch I've missed this movie on TV a few times, and I'm glad I was finally able to see it. I should thank ‘Blesk’ newspaper for the free DVD edition. Spy Game is an otherwise top-notch spy thriller with an excellent acting duo in the lead roles. Redford shows he's still a wisecracking dude in his old age, and Brad Pitt shows again that he looks like he's Redford's son. Plus, Tony Scott's playful camerawork gives the movie an incredibly appealing look. I was most impressed by the roof interview scene (the FUJIFILM sign) and that’s why today’s lesson in the director’s diary reads: "If you want to film an interview in a high quality and dynamic way, film it from a helicopter." ;-) ()

Kaka 

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Englisch An amazing old-school gem that beautifully recreates the late 80s-early 90s with a fantastic Robert Redford, a few creative script tricks, and numerous fabulous dialogues and situations. The thing to appreciate about this film is that Tony Scott put everything here. It is truly a "Game", nothing more, nothing less. Tremendously entertaining and attractive. ()

Remedy 

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Englisch Tony Scott's bravura spy thriller, whose predatory and dynamic pacing precisely matches the shakily unpredictable world of the clandestine services. The stunning narrative style, which maps out previous important missions alongside the current storyline and gradually fleshes out a complete picture of the close relationship between two key agents, is almost perfect under Scott's direction. The execution itself and especially the use of camera filters, including all the other visual flourishes, is very reminiscent of the best of the 90s, which warms the heart twice over. [85%] ()