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Reri (Anne Chevalier) und Matahi (Matahi) leben als junges Liebespaar glücklich auf einer Südsee-Insel. Doch Reri wird zur heiligen Jungfrau der Götter bestimmt und ist damit für alle Männer tabu - auch für ihren Matahi. Die zwei Liebenden fliehen von ihrer Insel in die Zivilisation, in eine Perlenhandelsstadt, wo sich Matahi als Perlentaucher verdingt - er hat sich in Schulden gestürzt, überwältigt von der Fülle des Angebots der Moderne. Doch auch in der Stadt werden sie aufgespürt... (Leonine)
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Working with non-actors once again proves to be beneficial if you want to capture a beautiful and cruel story of love. Yes, comparing it to the drama "Romeo and Juliet" is completely appropriate, because the story of both couples is originally tragic. Murnau, by placing it in an interesting and different environment, has also achieved an additional effect of alienation, which greatly helps the film.
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Shortly after watching it, I was amazed that Tabu went too far with darkness, the fated nature of sin, and the consequences of breaking taboos, and yet it was that overblown ending I just couldn't get out of my head. Stories about people who will inevitably suffer for their piece of happiness usually infuriate me, but here, thanks to the honest faces of Anne Chevalier and Matahi, it once again hit the desired target. Friedrich Wilhelm Murnau was completely different from the rest in his silent creative expression, and it is a great shame that all the tragic spirit of the storytelling from Bora Bora foreshadows his own fate.
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Photo © Paramount Pictures
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