Spring - Love is a Monster

To begin with, Moorhead and Benson aren’t horror directors/fans, but smart and distinctive filmmakers able to come up with an interesting and original concept, and, although they use elements of the genre, they can’t be relied on or considered its saviours. Spring is less “horror” than their previous film, Resolution. Actually, it’s not horror at all, but a good film nonetheless (and, unlike the previous one, you can see some production values). Captivating atmosphere, nice cinematography, good performances and an interesting mythology. But what’s important is that I really cared about the fate of the protagonists. (26.03.2015)

There is a horror line with an overlap, which drowns itself in annoying wannabe symbolic macabre scenes, until in the end it becomes unintentionally ridiculous (let's be a church zombie heroin an honorable exception) forcibly incorporated into a decent holiday indie romance with a very nice couple. Regardless this nice couple. (03.08.2016)

"Spring" is definitely a film that deserves the attention of people who enjoy horror, even though it is not actually a terrifying horror. However, it is also a film that can impress any fan, because its main advantage is that it is simply a good film with complex qualities. There is an original screenplay, good acting performances from actors who are not boring, and solid direction. A great and pleasant surprise. (12.08.2015)