Der Koloss von Konga

Hier hat sich jemand wirklich amüsiert, weil es wirklich verrückt ist, den legendären Kong zu stehlen und seinen Hinweis in einen Film ohne angemessenes Budget zu stecken. Von den Effekten habe ich mich vor Lachen fast gebogen... natürlich. Am Anfang des Films macht der riesige Affe namens Peking Man aus dem einheimischen Dorf einen Haufen Holz, und da er in die blonde Model mit schönen Brüsten verliebt ist, machen beide einen Ausflug in die Stadt. Dort kommt es bald zu der erwarteten Konfrontation zwischen dem behaarten Riesen und der "hochmodernen" Armee. Und hier wird es wirklich heftig, denn ein paar Engländer übernehmen die gesamte schwere Technik, lustigerweise schießen sie mit Panzern und Modellhubschraubern. Ehrlich, ihr müsst es sehen, sonst werdet ihr der perfekten Künstlichkeit nicht glauben. Papphäuser, offensichtliche Rückprojektionen, ständige Änderungen aller Proportionen, ein widerlich abgedrehtes Ende und andere Leckerbissen für Trash-Liebhaber, besonders die asiatischen. Ansonsten spielte Danny Lee die Hauptrolle, bekannt als Dr. Lamb. (19.08.2013)

The second half is really about nothing and it's just copying "King Kong", even climbing a skyscraper, where the monkey defends itself. Of course, mainly because his protege was hurt. In addition to that, there are American soldiers who speak Mandarin, which only emphasizes the feelings of absurdity that you will have at the end of the movie. There it really is about nothing and you think to yourself that it should have stayed in the jungle, where it was at least a little bit fun. The second half is really a pity. (15.03.2015)

The Mighty Peking Man, Hong Kong's answer to King Kong, produced by the legendary Shaw Brothers studio and a cult favourite of Quentin Tarantino. It follows the classic pattern of movies with an overgrown ape: it starts with an expedition into the deep jungle at the foot of the Himalayan mountains, continues with the transport of the ape (here under the name "Peking Man"), then a half-hour inferno in the streets of Hong Kong, when Peking Man demolishes cardboard buildings, tramples civilians and fights with tanks and helicopters, and ends with a tragic climax on the highest building of the city. Surprisingly, I found the first half more entertaining. That's when the last member of the expedition meets Samantha, an attractive savage played by blonde photo-model Evelyne Kraft who has lived her whole life in the wilderness, never takes off her tight leather underwear, is loved and protected by Peking Man, and expresses her harmony with nature by cuddling a tiger, a leopard, and an elephant to the accompaniment of terribly cheesy music; and there is also a kitschy slow-motion love-hopping through the jungle with the sun setting over the horizon. Proper guilty pleasure! Another bright side of the film is that there is always something going on – the elephant attack on the village, the sea storm, Peking Man's tug-of-war with fully loaded trucks in a stadium (with the audience watching in amazement), etc., and the dull dialogue scenes are kept to a minimum. The effects are abysmal, basically they have not improved in any way since the early Toho Godzilla films – there are eye-popping rear projections and an actor dressed in a monkey costume among cardboard models of a city and the jungle, with proportions all over the place, and the only interaction with live actors is a big hairy hand that the actors climb on. (27.02.2010)