Metropia

Vollkommen falsch. Sie können ja keine Dystopie drehen, die auf einem solch anspruchsvollen narrativen Trick wie einem inneren Monolog basiert, und gleichzeitig Animationen verwenden, für die sich selbst ein Amateurabenteuerfilm schämen würde. Die Flachheit und Steifheit kommen umso zum Vorschein, so dass selbst das Synchronsprechen mehr als krampfhaft ist. Meiner Ansicht nach ist das ein unansehnlicher Eklektizismus, der umso weniger verdaubar ist, je mehr hier distopische Klassiker ausgeschlachtet werden. Irgendwo in der Filmmitte habe ich es aufgegeben ... (01.04.2011)

Metropia is an ambitious film that wanted to use experimental techniques and original visuals to create a feature-length animated film. Both of these aspects are fulfilled and together they create a world of an unpleasant dystopia, reminiscent of the famous science fiction novel "The Space Merchants" by Frederick Pohl, which depicts a world controlled by ruthless giant corporations, manipulative techniques, and ubiquitous advertising. However, the problem lies in the fact that it seriously lags behind in what makes an animated film what it is, namely the animation itself. Audiences have become accustomed to a truly dynamic development of animation techniques in the last 15 years, thanks to family animated films and phenomena like The Simpsons, considering animation simply as a matter of course. Perhaps this was the intention, but in that case, it is completely wrong and rather reflects a lack of skill. The film is slow, with an underdeveloped world and characters. I ultimately give it three stars for its certain exclusivity and originality because this production did not have significant competition in the past, nor does it have it today. Overall impression: 50%. (04.10.2011)