Strange Circus: Kimjó na circus
Inhalte(1)
Taeko, eine erfolgreiche, aber an den Rollstuhl gefesselte Bestsellerautorin, arbeitet an einem Roman über den Leidensweg der 12-jährigen Mitsuko, die in einer durch Inzest und Missbrauch zerstörten Familie aufwächst. Eingesperrt in einen Cellokasten muss Mitsuko ihre Eltern beim täglichen Akt beobachten. Bald werden gar die Rollen getauscht und nun ist es die Mutter, die aus dem Instrumentenkoffer heraus zusieht, wie Mitsuko von ihrem Vater vergewaltigt wird. Taekos Assistent Yuji ahnt Schlimmes: Ist Mitsuko tatsächlich nur eine fiktive Figur oder beschreibt Taeko in ihrem Roman die eigene, entsetzliche Kindheit? (Verleiher-Text)
(mehr)Kritiken (3)
I’m not really sure what I’m supposed to think about this film. It’s too theatrical, hysterical and… Asian for my taste, but that thing that looks like a twist (and I write “looks like” because this film is narrated in an almost Lynch-like confusing manner, so I’m not sure I really got it) was quite thrilling. The overall insanity, on the other hand, is too annoying to be shocking (or entertaining). It’s certainly interesting, but as an experience it was nothing extraordinary.
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Shion Sono shows that he is definitely an interesting creator, although I still prefer his "Suicide Club" a bit more. "Strange Circus" is a film that simply doesn't appeal to everyone, which isn't that strange, but in case you do like it, maybe you won't even be able to express exactly what you liked about it so much. Personally, I took away one thought from this film: Aren't our own lives much crazier than any circus?
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I don't really have much to compare it to, as this (very hard to define) genre has successfully eluded me thus far, but that will probably change after a nutritious inhalation of Sion Son's work ;) Suicide Club probably suited me a bit more, especially since it had a (basically) clear concept and a VERY unambiguous climax. Strange Circus is a bizarre, allegorical, psyched-out spectacle that probably impresses most with its imaginative stylization (the circus setting and central interior are handled very impressively). The branching narrative, which escalates to its sixth in the end, interested me only in its individual parts. Maybe it's because I didn't fully absorb it ;)
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