Amerikai anzix

The experimental and highly atmospheric film by the acclaimed nonconformist filmmaker G. Bódy creates a sense of endings, futility, and transitions (both in life and history) in which time momentarily slows down. Hungarian soldiers fighting for the Hungarian Revolution of 1848-49 and in subsequent decades of European national liberation conflicts eventually find themselves in the American Civil War, which itself is nearing its end. Europe and the world have partly fulfilled old ideals, and therefore they can be completely forgotten. Yesterday's outlaws and warriors can return home under amnesty; today it doesn't matter to anyone. The raison d'être of the main characters slowly fades away, and the twilight of wartime turns bullets into the buzzing of bees on a peaceful spring meadow, bees that no longer sting but will soon perish themselves. The characters flow into new directions, forced to choose in timelessness - emigrating back home, starting a new life in a new world as a railway engineer? Bódy divides the image using various masks, excelling in the use of the deliberate cross motif, symbolizing both the gaze of rifles under which the characters' lives unfolded and their possible future as professional surveyors - the work of railway engineers in peacetime, like death after the end of all wars. To appreciate this formal approach, I recommend watching the author's experimental structuralist exploration Four Bagatelles from the same period, which adds a new dimension to both this motif and the film. (26.06.2016)