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Das kontroverse zeichnet die Geschichten von sehr unterschiedlichen Menschen, die alle im Club Shortbus aufeinander treffen, um dort ihre sexuelle Freiheit gemeinsam und ausgelassen zu zelebrieren. Beziehungsberaterin Sofia (Sook-Yin Lee) hatte noch nie einen Orgasmus; die beiden Homosexuellen Jamie (Paul Dawson) und Jamie (PJ DeBoy) wollen Pep in ihre langjährige Beziehung bringen und bitten sie um fachmännische Absolution für die freie Liebe. Sie probieren es mit Ceth (Jay Brannan), einem ehemaligen Model und Hobbysänger - und werden dabei per Fernrohr von dem Voyeuristen Caleb (Peter Stickles) beobachtet. Während sich die Jungs einander hingeben, hilft eine vereinsamte Domina (Lindsay Beamish) der verzweifelten Sofia bei der Suche nach dem ersten Höhepunkt. (Verleiher-Text)

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POMO 

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Deutsch Ein Indie-Unsinn, in dem alle mit allen schlafen, aber nur selten Männer mit Frauen. Und wenn doch, dann sind es unattraktive Frauen oder emotional leere Dominas. Ein schöner Spiegel der heutigen Zeit, ähm… Ein Softporno, bei dem man eher abstirbt als hart wird. ()

gudaulin 

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Englisch If Shortbus had been made twenty years ago, I would have said that it is a bad film, but also that it attempts to push boundaries and break taboos. But it is the 21st century, and in cinema, we have become accustomed to practically anything, so I can focus on the content of the film, which is unfortunately desperately shallow. It is neither a generational statement (at least I think and hope not) nor a drama nor a comedy, and although Shortbus features all kinds of sexual acts and accumulates erotic aids to the point where they could fall off the screen or television, surprisingly, it does not come across as erotic. It may serve as a certain sexual instruction for the ignorant or those who know too little about human biology, but the erotic atmosphere is simply missing. Films like Quiet Days in Clichy did not pretend to be great art, but they depicted the bohemian society of their time in a quite spicy way. Shortbus is completely sterile in this regard. I did not find a single character to root for, to fear for, or to despise. And the characters are not unbelievable characters and situations either. The only thing that makes the characters interesting is a huge dose of immaturity, not only in their intimate lives. However, even this fact is unintentionally conveyed by the film and I do not believe it was the director's goal. I do not believe in the numerous sexual superstitions suffered by the characters of the film or its creators. Shortbus is a film either for sexual beginners or for those who try to find a message in everything and, with enough effort, succeed in doing so. Just like someone manages to find a black cat in a dark room even though it is not there at all. Overall impression: 25%. The film desperately lacks any conflict and catharsis, resulting in dysfunctional soft porn. If you don§t have a solid script, exhibitionism tends to be pointless... ()

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novoten 

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Englisch Not so much shocking openness as rather surprising script powerlessness in an awkward package. Mitchell's package of oddities attempts to use human sexuality as a path to depicting something greater, but this - this is nothing. Here, it hardens and gets into the characters' feelings by means of sexual practices or stupid phrases like "I've never had an orgasm," and there is nothing admirable or sensitive about that in my eyes. The Shortbus club itself does not appear as a cleansing place, only as a building where desperate individuals go to let loose and gather around the owner's only acceptable, but shockingly unused character, whether it's a regular Friday night or a crisis during a blackout in the whole of New York. In short, I'd rather be a puritan or a snob or something similar than realize the fateful truths of my existence right here. I have always sought answers in movies, but rather than receiving this, I will forever stick to superficial entertainment. ()

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