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Ella is on the way back to her hometown with her kids for her sister’s wedding. The remote little village has changed a lot since she left: young people have long moved away, leaving mostly the old folks behind, seemingly forgotten by the rest of the world. When a huge thunderstorm hits the little town the night of the wedding, the residents of a retirement home start behaving strangely. Led by a giant retiree, a group of elderly inmates attacks the young caretakers with horrific brutality. Following a blackout, they break down the security doors and escape into the cold rain. The music attracts them to the wedding where soon Ella will have to fight for her family’s survival. (Netflix)
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Technisch gesehen hat Old People ein solides handwerkliches Niveau. Der Anfang, dessen Höhepunkt die Szene ist, in welcher der Hauptdarstellerin bewusst wird, was Sache ist, ist ein hervorragend eskalierter Horror-Leckerbissen. Die bizarre Idee mit den wütenden Killer-Rentnern, auf der der ganze Film basiert, wirkt dumm. Die Autoren haben es nicht geschafft, aus dem Thema eine soziale Allegorie zu machen. Sie sind bei der mentalen Optik eines Zombie-Horrorfilmes geblieben. Dadurch wirkt der Film verlegen und fast lächerlich.
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The social-critical aspect is extremely banal and literal, yet if the script had dug into it a bit more and at the same time not shoved it in the viewer's face, it could have had some potential (but then it should have also addressed the frequent contempt of the old for the young, etc., so that it is not so black and white). At the same time, I must admit that the director has the horror craft down pat, the night horror sequences are properly creepy and intense. In the stronger passages it reaches for four stars, in the weaker passages, when we watch a family melodrama or the main young heroine tells us in a voiceover that it is wrong to be mean to old people, oh yes, more like two.
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