Spre nord

Inhalte(1)

Based on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone. (Venice International Film Festival)

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Kritiken (2)

Filmmaniak 

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Deutsch Mit einer festen Hand gehalten, arbeitet das Debüt mit dem Thema Moral und Angst um das Leben, aufgrund des träge vorankommenden Tempos verbrennt es jedoch sehr langsam und die Spannung wird nur minimal gesteigert. Mehr noch ergibt sich die Dringlichkeit aus den gespannten Beziehungen zwischen der taiwanesischen Führung und den philippinischen Maschinenarbeitern auf der Fähre als aus den Situationen, die sich aus dem Motiv der geheimen Versteckhaltung eines Migranten in den Tiefen des Schiffes ergeben. ()

JFL 

alle Kritiken

Englisch To the North can be described as a slow-burn moral thriller, but that gives us only a superficial idea of what it is really about. The film itself works purposefully with the contrast of the outside and the inside. It presents us with seemingly clearly arranged situations and literally polarises the characters and key peripeteias as good and bad. As the runtime elapses, however, the narrative doesn’t just leave the viewer to experience the tension, paranoia and claustrophobia with the characters trapped in a cargo ship. At the same time, it also shows the existing points of view as being ambivalent and puts forth an intimate drama of good intentions and unforeseen consequences. Mainly, however, it chips away at the original poles of good and evil until only the exposed personalities of the individual characters remain, with their own moral hell stemming from their opposing personal life stories, motivations and responsibilities. As a result, To the North is about boundaries, though not so much the geopolitical boundaries that so greatly influence people’s actions, but mainly the interpersonal ones on which everything ultimately falls apart. Considering that this is a feature debut, Mihai Mincan’s film turns out to be an unprecedented, well-crafted and brilliantly thought-out work. Everything from the consistently slow pace to the ghostly ambient soundtrack serves to draw viewers in and gently prepare them for the merciless disintegration in the climax. ____ Huge thanks are owed to the Karlovy Vary International Film Festival for including this magnificent film in its programme. At the same time, no thanks at all are owed to the festival for the effort that one has to exert in order to escape the pandemonium of the boisterous crowd so that the catharsis one gets from To the North can die away somewhere in the peace and quiet of the night. ()

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