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Eigentümer eines Theaters und eines Rennstalls, Finanzberater, Gesellschafter eines Pressekonzerns, Glücksspieler und Gründer einer Bank für Großbauten und internationalen Zahlungsverkehr: Serge Alexandre Stavisky ist ein vielbeschäftigter Mann, der im Luxus lebt. Gleichzeitig macht Stavisky millionenschwere Verluste und hat eine Vielzahl an Klagen am Hals. Schlimmer noch: Inspektor Bonny vom Referat für Wirtschaftskriminalität ist auf ihn angesetzt, denn die Umstände, unter denen Stavisky zu seinen Reichtümern gekommen ist, sind zumindest dubios. Kommt Stavisky aus seiner misslichen Lage wieder heraus? (arte)

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Englisch Movies with Jean-Paul Belmondo sometimes suffer from the fact that audiences have become accustomed to seeing Belmondo in one single box, and anything that deviates from that receives criticism and misunderstanding. Unfortunately, I must point out here that the criticism is fully justified because Resnais did a poor job with it, resulting in a boring and lifeless film, where the main character lacks the charisma of the real Stavisky, despite Belmondo's efforts to imprint his usual charm. Resnais tries to portray his hero as someone who has believed too much in his own lies and plays his role regardless of the risks and the approaching end. The film lacks many things, including a more prominent female character or Belmondo's counterpart. Here, Resnais' hero is depicted as a victim of the system, and although there is some truth to it, I have seen many films where a similar theme is portrayed in a much more convincing manner. Overall impression: 40%. ()

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