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Washington in den 1950er Jahren. Als die alleinerziehende Mutter Caroline (Ellen Barkin) sich der Erziehung ihres Sohnes Tobias (Leonardo DiCaprio) psychisch und finanziell nicht mehr gewachsen sieht, heiratet sie den charmanten, dreifachen Vater Dwight Hansen (Robert De Niro). Der jedoch entpuppt sich als gewalttätiger Zeitgenosse, der seine Familie verprügelt und bedroht. Lange hofft Caroline auf eine Besserung, doch als die Gewalt immer mehr zu eskalieren droht, muss sie sich schließlich für oder gegen ihren Sohn entscheiden. (KSM/NEW KSM)

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novoten 

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Englisch A healthy movie for everyone who is still planning to live with their parents for some time. When the thought arises in your mind again that it's unbearable with them, remember De Niro. ()

Kaka 

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Englisch A duel of filmmaking aces and a terrific portrayal of the relationship entanglements of a lower-middle-class family with all the downsides you can imagine. Fortunately, Michael Caton-Jones is also a solid craftsman, but that's not really the point here. He works with the actors on a couple of meters, and handles that admirably. As the film progresses, the characters become more and more likeable and emotional; they are are unusually plastic and not only the main ones! ()

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Isherwood 

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Englisch The film is great as a small psychological depiction of the relationship between a son and a despotic father, and especially in the acting parts, it is an absolutely brilliant clash of acting personalities of their generations. Unfortunately, it occasionally stumbles into trifles such as a more stylish portrayal of its time (it’s too artificial at times) and somewhat neglected supporting characters, yet who often strongly influence the protagonists, so they should have had more screen time. Caton-Jones is a solid craftsman who can make an impactful scene (the final fight), but the whole, including the idea of the film, escapes through his fingers. If it wasn’t for that, it would have been perfect. ()

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