Biografie
Stephen J. Lineweaver designed the hit comedy sequel "Ted 2," his third collaboration with director Seth McFarlane. The two previously worked on McFarlane's huge box-office hit "Ted," and "A Million Ways to Die in the West," a comedy set in the Wild West of 1880.
Lineweaver's additional feature film credits include David Wain's "Role Models"; "Blades of Glory," starring Will Ferrell; Brian Levant's "The Spy Next Door"; "Are We There Yet?"; "Snow Dogs"; "Ace Ventura: When Nature Calls"; "Tommy Boy"; and "City Slickers II: The Legend of Curly's Gold."
His earlier credits include working as art director on Martin Scorsese's "After Hours," Jonathan Demme's "Something Wild," John Sayles' "The Brother from Another Planet" and Emile Ardolino's "Dirty Dancing." Lineweaver continued on to serve as production designer with such directors as James L. Brooks on "I'll Do Anything," and Cameron Crowe on "Jerry Maguire" and "Singles," as well as Michael Caton-Jones on "This Boy's Life."
Lineweaver's early television work includes working as a visual consultant with Brooks on "The Simpsons" and "The Tracey Ullman Show," earning him a Primetime Emmy Award nomination.
Warner Bros.
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Serien | ||
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2024 |
Ted |
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Die letzte Jungfrau (E07) |
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Lauter die Glocken nie klingen (E06) |
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Susan ... verzweifelt gesucht (E05) |
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mehrere Folgen (4) | ||
2022 |
The Orville |
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Zukunft ungewiss (S03E10) |
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Domino (S03E09) |
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Mitternachtsblau (S03E08) |
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mehrere Folgen (7) | ||
2019 |
The Orville |
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Der andere Weg (S02E14) |
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Morgen, und morgen, und dann wieder morgen (S02E13) |
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Im Inneren des Nebels (S02E12) |
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mehrere Folgen (10) | ||
2018 |
The Orville |
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Ja'loja (S02E01) |
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2017 |
Sun Records |
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Finishing School (E08) |
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No Favors Here (E07) |
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Who They Were Meant to Be (E06) |
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mehrere Folgen (5) | ||
The Orville |
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Gotteskult (S01E12) |
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Flachgelegt (S01E11) |
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Feuersturm (S01E10) |
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mehrere Folgen (9) | ||
2007 |
Cavemen |
Sendungen | |
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1971 |
Great Performances |
Produzent
Filme | |
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2014 |
A Bit of Bad Luck |
Schauspieler
Dokumentationen | |
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2005 |
Road Trippin': The Making of 'Are We There Yet?' |