D.Moore

Wallace Shawn in the main role didn't sit well with me, I'd prefer more of a poisonous Woody alter ego, like Larry David in Whatever Works. However, I liked the film and I didn't even feel like Woody Allen was stealing, because he was dealing with what he had done several times (if not many times), but he went about it a little differently. This time in the form of therapy and with a great idea to show the hero's ideas in the style of films that he loves. So, I learned that even hypochondria can be good if you have a beautiful reason for it, and that Death gives you the best advice for life (with Christoph Waltz's face).

I had fun, but during the final half hour, which just stretched everything unnecessarily, I got over my enjoyment. If they could manage to condense the story more and the film was 30 minutes shorter, I would definitely be happier. Either way, this silliness is worth seeing, whether you're a fan of Tommy Wirkola, Noomi Rapace or just this quirky "Tarantino-light" genre.

An intimate and such a well written film that it seemed to me almost like an adaptation of a very good radio play. I didn't see the original, so I was able to be (for an hour and a half) tense and wait to see what came out of it, because from the beginning something suspicious hung in the air in that strange night atmosphere. Jake Gyllenhaal is great and the point was successful - given that and the overall tone, I understand why the Americans needed to make (remake) this film and at this time.

This ode to Daniel Craig is very well deserved. From enduring the general hate, to the start of a superstar career and all that it entails, to a touching farewell to the entire cast and crew of No Time to Die. This Bond will be missed.

A Walk Worthwhile is a classic I know by heart. When I found out today that I had not reviewed it, I could review it off the top of my head. But why wouldn't I watch it again? Moreover, on the day of the incredible ninetieth birthday of the even more incredible Jiří Suchý! So, all the best!

No one could have wished for a better farewell - Bond, Craig, us... No one. I will miss Daniel Craig as 007, but I am very happy that he has made five great films (I had no doubt that another one would come after Spectre, no matter what anyone said), which played so beautifully with the notorious Bond attributes (this time we finally get a proper villain super base) and with us, and it was just a pleasure to watch. No Time to Die is more than just the last part of a series - it's a film for the fans, which doesn't make sense without Craig's previous films, and which you'll enjoy even more if you know older films, especially On Her Majesty's Secret Service. The screenplay took advantage of everything the last four films had to offer, and added something new. Fukunaga's direction is fierce and playful in the action scenes, in the other scenes he relies mainly on the actors (I would like to highlight the adorable Ana de Armas, with whom I would wanted to see a solo film), the fateful atmosphere is illustrated and the pace is set by the roaring Hans Zimmer, who put the effort in, and John Barry's legacy is certainly not a disgrace. Thanks for saving the world and for the fight scenes, Bond. James Bond.

A sort of British post-war Kocourkov or The Best Man of All. I had to check if the script was at least inspired by a real event, because the plot is so absurd that I wouldn't be surprised if there was a grain of truth in it. But it’s not.

I am glad that from time to time we have such a beautifully cheeky genre in the Czech Republic, from which the enthusiasm of the creators and the sincere belief that the audience will have fun just like them emerges. Shoky & Morthy: Last Big Thing doesn't care about anything else, and that's fine. Yes, you could say that three quarters of Andy Fehu's film was probably made just so that he could make the unprecedented finale... And you would be right. But it's actually fun the entire time, Štěpán Kozub plays his careless person to the best of his abilities and Tomáš Magnusek is so great that you will regret every minute he is not on screen. Seriously.

Amazing ending and overall amazing film trilogy. Bolek Polívka proves that only a few films in which he has recently appeared really deserve him, because although he submits to Vorel's direction and, like the others, he deliberately overacts, he still puts his all into the role and it is he and Tomáš Hanák, who makes Cesta domů a great experience. However, the other actors should not be ashamed either, because after the last film, which focused mainly on young heroes, this one is perfectly balanced and everyone has their place in it. Few people can capture the character of the countryside, the nature of its inhabitants and the beauty of nature, in which they often literally leave their lives, as authentically as they do for Tomáš Vorel.

The good old days of honest historical films came back to life for two hours and a bit - The King is great. It's a rough, dirty and cold spectacle, but it is based primarily on the story, the characters and well-chosen actors, although the scenes you expect from such a film also occur (the battle, the battle!). Directing, design... All of it is amazing and as authentic, as if the crew had gone to the 15th century using a time machine. Timothée Chalamet actually plays Paul Atreides here - that's exactly how I imagined him.