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Fortunata (Jasmine Trinca) has a difficult life, a daughter of eight and a failed marriage behind her. She works as a hairdresser in people's houses, leaving from the outskirts to cross the city, going to the homes of the well-off to do women's hair. Fortunata fights every day with determination to achieve her dream: opening her own salon and challenging fate, in an attempt at emancipating herself and gaining her independence and the right to some happiness. She knows that to achieve her dreams she has to be firm: she has thought of everything, she is ready for anything, but she had not considered the variable of love, the one subversive force capable of sweeping aside every certainty. Also because, perhaps for the first time, someone looks at her as the woman she is and truly loves her. (Cannes Film Festival)

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Malarkey 

alle Kritiken

Englisch 52nd KVIFF – I feared an average movie but immediately after the arrival of the brilliant Jasmine Trinca in front of the screen of the Great Hall of the Thermal Hotel, I thought that Fortunata, after all, might not be a completely bad movie if the main character is portrayed by such an interesting actress. Well, and after her departure it started and I enjoyed a not particularly simple Italian life story, the main point of which was quality dialogues, especially with the therapist, and also Fortunata’s daughter, who really savored the acting at the age of 8. In any case, count on the standard, loud-mouthed Italy. I have a feeling that their language is so loud that they shout not only during arguments, which is common and logical, but also during normal speech, which sometimes hurts my ears, but in the end, it wasn’t entirely bad. ()

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