Angriff der 20-Meter-Frau

Eine Kombination aus einem Monster-Film und einem Ehedrama? Warum nicht?! Angriff der 20-Meter-Frau ist ein so verrückter Science-Fiction-Schundfilm, dass man nie weiß, was fünf Minuten später passieren wird. Und das ist sein größter Vorteil. Zusammen mit dem komischen Charakter, der durch doofe Dialoge und die offiziell schlimmsten Spezialeffekte aller Zeiten erzeugt wurde. Wenn Sie dieses Genre mögen, ist der Film eine gute Wahl. Und wenn Sie zufälligerweise eine saure Feministin sind, werden Sie eine Auferstehung erleben! (06.04.2003)

Ein sehr einfältiger B-Movie, der Elemente der Science-Fiction nur nebenbei um eine banale Handlung über eine wohlhabende Frau erzeugt, die ihr moralisch verkommener Ehemann am liebsten loswerden würde. Eigentlich nur ein sehr extremes Beispiel dafür, wie weit eine Ehekrise gehen kann, wenn Außerirdische sich einmischen. (04.02.2019)

Someone completely fucked up on some tricks here, and that disappoints me. I like low-budget science fiction films from the 50s, which are characterized by their B-movie quality and their cheapness, but this is just too weak. There's nothing interesting here for the viewer to grab onto. That woman who's 50 feet tall isn't really here, and the occasional use of image superimposition was done better thirty years ago. Very weak. (08.07.2014)

Across the Atlantic this is a fairly iconic film (remember the scene in Jack Rabbit Slim in Pulp Fiction?...there's a poster for that movie hanging on the wall, but that's just for the record), which owes its cult status primarily due to its truly terrible effects, which are also the only fun thing about it. The rear projections are incredibly sloppy, the figure of the giant alien even shines through with the surroundings, which was obviously not the intention of the creators. In the final destructive rampage for her husband, the same shot of the giantess walking is used several times in succession, sometimes mirrored and with a different background, and they didn’t bother at all with the proportions. Also amusing are the details of the hand, a large polystyrene (or whatever the material was) maquette that perhaps only an almost blind chimpanzee would believe belongs to a human. The effects are really bad even for their time, they look more like a parody, and somehow it baffles me that the same director made the critically acclaimed The 7th Voyage of Sinbad in the same year. Interesting fact: it's possible that Juran was ashamed of the result and that’s is why he signed this film with a different name, Joe; and one more thing amused me: at the beginning the reporter points to the globe where the mysterious flying object was seen. He speaks about Auckland, but is pointing to South Africa. Americans, they can’t see further than their nose :) (22.10.2004)