Brüderbande

Trailer 2

Inhalte(1)

Eine Geschichte von den unerschütterlichen Banden zwischen Brüdern, halbdokumentarisch erzählt: Der junge Jason ist Teil einer ärmlichen Familie, die im Norden Frankreichs lebt. Zu Jasons bevorstehender Taufe kehrt sein aggressiver Halbruder Fred nach 15 Jahren Gefängnis zurück. Kommt es zum Äußersten? Als der 18-jährige Jason getauft werden soll, kehrt sein Halbbruder Fred nach 15 Jahren Haft aus dem Gefängnis zurück – er hatte fahrlässig bei einem Diebstahl einen Mann getötet. Fred ist es gewohnt, der Anführer und Ernährer der Familie zu sein, da er sich nach dem Tod des Vaters schon früh um deren Überleben kümmern musste. Viele Leute im Trailerpark wollen nach seiner Haft nichts mehr mit Fred zu tun haben, vor allem da er sich anscheinend nicht verändert hat – strotzend vor Selbstbewusstsein und immer noch bereit, alles für seine Familie zu tun, egal was es kostet. Um an Geld zu kommen, plant er zusammen mit seinen Brüdern und ihrem Cousin Moïse, altes Kupfer zu stehlen. Moïse, der sich Jason eng verbunden fühlt, versucht ihn vergebens aus der Sache herauszuhalten, da er Angst hat, Jason könnte so werden wie seine zwei launischen, kriminellen Brüder. Jedoch kommt alles ganz anders. (arte)

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Kritiken (1)

Matty 

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Englisch The absence of initiation ceremonies is stated as one of the causes of the growing infantilism of post-industrial society. In the Western world, there is no crucial event that would distinctly separate the childhood phase of one’s life from the adulthood phase. The French drama Eat Your Bones conversely introduces us to one of the last surviving communities that do not underestimate the importance of initiation rituals and continue to hold out against the formative influence of civilisation. With all of the risks associated with such traditionalism. ___ The plot takes on its specific outline only gradually. During the first few minutes, we watch a single large family, whose members spend time hunting rabbits and stealing gasoline, without being incorporated into the story. From the dialogue, it gradually becomes apparent who carries what sort of past with them and the fragmented narrative begins to coalesce around the central heist, which, however, does not comprise the dramatic core of the film. The crime serves only to accelerate Jason’s process of growing up, which we watch almost in real time following the mosaic-like prologue. It is clear that the testosterone-fuelled night-time ride will be more important to the group of volunteer social renegades than their destination…or maybe not. ___ A heightened willingness to take risks is only one of the qualities that Hue takes note of in his study of male togetherness. The film’s protagonists are reminiscent of western cowboys with respect to the importance that they attached to totally unrestricted freedom. If the boy’s devout mother represents civilisation, Jason’s three cronies represent the wilderness. He gives a young associate lessons on survival in a world clearly divided into hunters and prey, while Frank would rather die than become a man who respects defined boundaries. For him, the highest value lies in not allowing himself to be constrained. ___ The open conclusion of the film indicates that the family heritage does not necessarily perish if it is enriched with new values. The ambivalence of opinion corresponds to the docu-realistic shooting style. The camera, clinging to the actors’ bodies, highlights the motif of intermale intimacy and close emotional ties, while also contributing to the intense feeling that we are witnesses to events that are happening as we watch. 65% ()