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When a young Poet (Michael Gothard) hires a marketing company to turn his suicide-by-jumping into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture. Unseen since 1967, this audacious and prescient work left a profound mark on the landscape of late-1960s British cinema, with echoes of its visual style evident in the work of such celebrated directors as Stanley Kubrick, Nicolas Roeg and Michael Winner. (British Film Institute (BFI))

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