Daimajin 1 - Frankensteins Monster erwacht

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Im Japan des 17. Jahrhunderts verehren die Menschen die versteinerte Statue des Kriegsgottes Majin. Eines Tages wird der gütige Herrscher Hanabusa von seinem Untergebenen Samanosuke Odate gestürzt. Hanabusas Kinder, Prinz Tadafumi und Prinzessin Kozasa, fliehen mit dem Samurai Kogenta. Eine Priesterin versteckt die Flüchtigen in einer Höhle, direkt neben der Statue. Zehn Jahre später werden Kogenta und Tadafumi bei einem Versuch der Rebellion gegen den tyrannischen Odate gefangengenommen. Die Priesterin fordert die Freilassung der beiden Männer und droht andernfalls mit Majins Rache, wird jedoch auf Odates Befehl hin umgebracht. Kozasas Flehen um Hilfe lässt die Statue zum Leben erwachen. Der Majin kann die drohende Kreuzigung Tadafumis und Kogentas ver-hindern, zerstört Odates Festung und tötet den Tyrannen. Trotzdem setzt Majin sein Zerstörungswerk fort und Unschuldige müssen sterben. Kann der Kriegsgott noch aufgehalten werden? (Silverline Movie Channel)

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Lima 

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Englisch Back in its day, it had cult status in Japan. I don't quite understand the four-star rating on www.badmovies.org. There’s nothing funny here, intended or unintended, this is a below-average and not very interesting fantasy story where – in a nutshell – an animated giant stone statue of the Daimajin takes revenge on cruel and greedy nobles for wrongs done to their defenceless subjects. The revenge itself takes place in the last 15 minutes, when the actor playing the Daimajin walks around in costume, with a mask on his face, and "Godzilla-style" demolishes the samurai palace. The effect of size is created only by the perspective of the camera, the interaction with the surroundings is almost non-existent, yet surprisingly it looks quite believable, but otherwise the film doesn't have much to offer. Perhaps the only thing worth mentioning is the death of the main villain, whom Daimajin nails to the wall with a massive spike, like a butterfly in a herbarium. ()

kaylin 

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Englisch "Daimajin" is quite an interesting contribution in terms of the mythology of Japanese kaiju films, but it is not such a significant film in terms of its quality. The lengthy sequence about how people are having a hard time and what it could lead to can be boring at times, and unfortunately, even the part that is eagerly awaited, the attack of the monster, or rather the giant statue, is not as breathtaking as the viewer would hope. However, for lovers of kaiju films, it is a contribution that should not be missed, at least for its knowledge. ()

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