Kids vs. Aliens
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Es ist das Halloween-Wochenende. Samanthas (Phoebe Rex) und Garys (Dominic Mariche) Eltern sind mal wieder auf einer ihrer endlosen Geschäftsreisen. Eigentlich hatte Samantha ihrem Bruder versprochen, ihm dabei zu helfen, sein episches Fantasy-Werk mit seinen Kumpels Jack (Asher Grayson) und Miles (Ben Tector) in ihrer Scheune fertigzudrehen. Doch dann lässt sie sich von dem coolen Teenager Billy (Calem MacDonald) dazu überreden, in ihrem Haus eine rauschende Kostümparty zu veranstalten. Als die Stimmung auf dem Höhepunkt ist, crashen außerirdische Fieslinge die Party, und die beiden Geschwister müssen sich zusammenraufen, um die Nacht zu überleben... (Plaion Pictures)
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Based on a short from the VHS2 short Slumber Party Abduction, the film is a likeable retro horror B-movie, with a lighter Stranger Things feel and references to older horror films. While the first half comes across as a teen genre flick, with a group of kids who like to play and one dude who bullies everyone and is a first class asshole. It all goes wrong at a house party where everyone is ambushed and kidnapped by aliens who need human skin as fuel for their ship. There are brilliant alien costumes, they look pretty creepy and the practical effects are a delight. The second half is quite suspenseful and there is a bit of gore (the best was the spilling of alien acid on a human), but I was expecting a bit more cutting and a wilder ride. The film looks slightly like it fell out of the 1980s, which will be a plus for fans of older films. The short running time of 85 minutes is an advantage, but I can't pull it off to better than average. 6/10.
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One hundred percent guilelessness deserves to be liked 100%. Jason Eisener proves that he is able to compensate for a very limited budget with wild visuals. But mainly, he manages to pour maximum energy into this movie, which then flows powerfully from the screen. Kids vs. Aliens easily draws comparisons to Stranger Things. But unlike that overly clever series phenomenon, which uses a broad spectrum of styles and emotions (at least in its top-notch first season), Eisener completely subordinates his work exclusively to children’s point of view. Instead of board-game nerds, his protagonists are bratty kids weaned on trash VHS gems, and not Spielberg flicks.
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