Inhalte(1)
Stine and Teit, your average urban middle-class artists and intellectuals, leave Copenhagen for the wilds of neighbouring Sweden’s forest. Soon, they find out that something is strange there – most disturbingly – when their son Nemo suddenly thinks his mother isn’t really his mother anymore. It becomes clear once Stine and Teit discover that they have neighbours who look exactly like them – mirror images made flesh and blood. The subject of reflections and doubles is introduced in the film’s first shot: a view of a lake landscape turned 90° so that the water’s surface runs vertically through the image’s centre. Only once the shot gets tilted is it revealed which side mirrors which. Later, a mother and child are reflected in a glass door. However, this is not your doppelganger thriller of the gothic variety. Note the title: in physics, superposition means (per Merriam-Webster) "the combination of two distinct physical phenomena of the same type (such as spin or wavelength) so that they coexist as part of the same event". This is more a metaphysical meditation towards the realisation that none of us is ever alone, but also never unique. (International Film Festival Rotterdam)
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Eine ausgezeichnete Metapher für einen erfolgreichen Neustart einer sterbenden Beziehung! Etwas in uns müssen wir einfach töten und dann mit einem neuen „Wir“ weitermachen. Aus der technischen Lösung, die hier Karoline Lyngbye präsentiert, könnte man eine phänomenale Erfindung machen. Als die Regisseurin vor der Vorführung ihre Bewunderung für Filme von David Lynch oder Villeneuves Enemy (für mich sein bestes Werk), die sich mit der gespaltenen Persönlichkeit beschäftigen, zugab, wusste niemand im Saal, wie nah sie uns bringen würde. Dieser Film ist ein psychologisch raffiniertes Schizo-Spiel, in dem sich jeder wiederfindet, der das Ende einer Partnerbeziehung erlebt hat. [Sitges FF]
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A nicely conceived premise that they unfortunately failed to fully exploit. The acting and directing are rather bland and they let that potentially powerful, cynical twist the film was clearly heading towards to slip through their fingers, and instead, the film eventually fizzles out into nothingness.
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This internationally praised slowburn thriller-drama is not really a horror film, so don't be fooled. For me it's another boring, slow and uninteresting crap that pretends to be a clever mindfuck. The story focuses on a couple who leave the city for an isolated forest thinking they'll enjoy a quiet life alone, only to soon discover they're not entirely alone – I can't reveal more. In the first half I was still quite, it has such a disturbing atmosphere and the clash itself is quite interesting, but after that the film goes nowhere. Visually it's also a pretty cheap piece of work, the acting is bland, the pacing is slow, so it's not rewarding for the audience, and there's no violence, suspense or anything downright escalating either. Too bad, the Danes can definitely do better. 4/10.
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