Regie:
Karl GruneDrehbuch:
Karl GruneKamera:
Karl HasselmannBesetzung:
Anton Edthofer, Eugen Klöpfer, Max Schreck, Leonhard Haskel, Lucie Höflich, Aud Egede-NissenInhalte(1)
The influence of German cinematography on the formation of the noir film was enormous, although occasionally, in scholarly discussions, it overshadows other key factors. Most notably, inspiration from German Expressionism is often exaggerated. Conversely, the effect of other cycles and tendencies is diminished. One of the overlooked directions is the so-called street film (Strassenfilm), which, during the Weimar Republic (1918–1933), became a concise expression of modernism and urbanization. Karl Grune´s film addresses the dangerous seductiveness of the big city, and in the film, we can identify a number of visual and narrative motifs that were absorbed by film noir twenty years later: the hero who hastily gives in to temptation; the femme fatale; high-contrast lighting; and mise-en-scène reflecting the subjective states of the characters. (Noir Film Festival)
(mehr)Besetzung
Anton Edthofer
Österreich-Ungarn
Beste Filme:
Phantom (1922)
Die Straße (1923)
Eugen Klöpfer
Deutsches Reich
Beste Filme:
Der brennende Acker (1922)
Unheimliche Geschichten (1932)
Die Straße (1923)
Max Schreck
Deutsches Reich
Beste Filme:
Leonhard Haskel
Deutsches Reich
Beste Filme:
Dr. Mabuse, der Spieler Teil 1 (1922)
Der brennende Acker (1922)
Die Straße (1923)
Lucie Höflich
Deutsches Reich
Beste Filme:
Der Berg ruft (1938)
Tartüff (1925)
Die Straße (1923)
Aud Egede-Nissen
Schwedisch-norwegische Union
Beste Filme:
Dr. Mabuse, der Spieler Teil 1 (1922)
Phantom (1922)
Hilde Warren und der Tod (1917)