Inhalte(1)
Being a gay believer may be a great dilemma in itself, especially when you grow up in a Polish village. Let alone being rejected by the local Christian community. The directorial debut of the Polish cinematographer Łukasz Gutt and director Łukasz Ronduda was inspired by the life of the artist Daniel Rycharski. (Summer Film School)
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Kritiken (3)
(Spoiler möglich!) Jedes Jahr werden viele LGBT-Filme gedreht, aber All Our Fears gehört dazu, und sei es nur wegen der Hauptfigur Daniel - eines gläubigen Schwulen, Dorfbewohners und Polen in einer Person. Der Film ist also von Konflikten auf mehreren Ebenen geprägt, von denen die religiösen und kollektiven am stärksten ausgeprägt sind. Jagodas Schicksal ist nur eine traurige, aber sehr reale Erinnerung an das allgegenwärtige Problem des sinnlosen Hasses gegen sexuelle Minderheiten. Es war interessant zu sehen, wie die Medien "sensationelle Geschichten vom Lande" auswählen. Trotz des ernsten Themas gab es viele humorvolle Momente in dem Film, vor allem dank Daniels temperamentvoller Großmutter. Doch das Verhalten vieler Figuren machte einen ziemlich krank. Diesen Film sollte man sich in Polen unbedingt ansehen.
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According to the annotation, there were too many red flags fluttering in the air, but the authentically photographed damp Polish countryside (virtually identical to ours) and the integrity of the protagonist (as usual, the unflappable Ogrodnik), who is part rural yokel, part arrogant artist, and part loving human being thankfully pushes it far beyond the anticipated lameness.
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Inspired by the true story of conceptual artist Daniel Rycharski, All Our Fears has a very poignant subject matter, excellent actors, an almost documentary style and is very topical, at least in Poland. The protagonist, brilliantly portrayed by Dawid Ogrodnik, as a strongly religious Catholic and gay man, inevitably faces intolerance from the majority of the inhabitants of the Polish countryside where he lives and creates his controversial works of art. His work reflects not only sin and acceptance, but also the finality of earthly existence and rebirth, which, however, here grows into a desperately urgent testimony about longing for a dignified human existence free from prejudice. (75%)
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