3DD!3

A nice fairy tale for dog haters and baby lovers. It goes by quickly and the action scenes are almost Bay-like. I'm a first child myself and I remember well the pressure of the opening.

The robot rebellion moves from the park to the city and completes the dramatic arc – bad for the bad, good for the good. Nolan subtly uses motifs involving the ability to calculate the future and arranges them on the central theme of life in loops. He elegantly presents heroes as villainous and villains as heroic. Dolores looks great in the real world; the visual world is visually enchanting and beautifully clean. Of course, the finale leaves room for another season, but the main story has been told. This year, I liked Devs much more. P.S. A couple of episodes are very weirdly directed and draw attention away from the story.

The shaky directing is disappointing. The finale perhaps disses the villain too much, although it is understandable. The two post-credits scenes perhaps give away unnecessarily much about which way the series is going. I hope that the next season will have the balls to be original. I missed the narrative style, jumping from one thing to the next, and Tony Hopkins.

Bugger me! Cheap planet destruction with crappy effects and a crazy conspiracy plot. The predictable wannabe twists pulled out of thin air are saved by Butler's crass, authority-despising scientist.

An elegant explanation of the theory of quantum prediction under Garland’s balanced and imaginative direction. The classic plot about a murderous tech corporation concerns nothing less than everything and offers a new perspective on ideas previously developed in other sci-fi movies. The package presented here has great visuals and chilling music by Salisbury that transforms some sequences into thoroughbred horror. The romantic storyline is a bit dumb (stiff dialog), although that could be explained by the emotional stupidity and blindness of the people involved. The best series so far in 2020. It’s not a V, it’s a U. It’s an in-joke.

Absolutely crazy trash that goes from being a comedy where sweat drips from a fat Puertorican’s balls onto the main protagonists’ face, to become a touching picture about a family and cancer treatment. Great one-liners and an excellent Sandler.

An excellent production of King’s paranormal novel, which suffers a little in the conclusion from some changes made to the original story. The opening is procedural and ultra-realistic, reminiscent of True Detective. The choice of shots, the close-ups, Mendelson’s tired face of a burnt-out detective. And Bateman’s performance as the potential suspect is flawlessly insensitive. But the choice to make a ten-episode series out of it was unfortunate, because by the second episode, The Outsider starts to become inflated with filler, taking the story on often unnecessary detours. Not to mention the protracted dialogue scenes that make the heroes look like ignoramuses. Despite a change of origin, Cynthia Erivo is outstanding as Holly, even though she could have been more reserved (of course, there is a lack continuity from the preceding three books). The confrontation in the season finale is more terrifying in the book's climax (direct, with a catharsis that works) and the Texas setting is more interesting. Still, this is one of the best adaptations and I hope it gets another season with the same cast. Even with a boring, ordinary drug-gang underworld murder, as Ralph wished for at the end. P.S: While watching, we were switching between this and The Boss Baby and the contrast is really bizarre. :-D

A crime movie perfect for all hairdressers, for whom the great Jennifer rules. Sandler’s variation on Agatha Christie, spiced up with a whole lot of priceless one-liners, rolls by pleasantly. Thanks to the excellent dubbing, the babbling Sandler seems like a typical Czech holidaymaker with a bad back focused only on food and sex. Super funny exchanges of opinion between husband and wife after years of married life, the beautiful Gemma Arterton and an energetic car chase at the end...I enjoyed it more than I am willing to admit. "There are bars on planes?! Damn! Shame my mum didn’t live to see it. She was an alcoholic!"

Little buggers. Chris Hemsworth beats Indian kids! With top-notch action scenes driven by a straightforward plot from an unknown comic book, Extraction benefits mainly from the mad verve of director Sam Hargrave, who didn’t hesitate to tie himself to the top of a car with a camera to get the desired result. And really the one-shot car chase in the Benz through a hostile Dhaka makes the film worth watching again and again. Kids with Kalashnikovs on every street corner, dirt, blood and slit throats stay the course set by Wick. The future of action movies is not rosy, it’s blood red!

Based on a true story... The last season brings another whirlwind of crazy ideas. Space-time is collapsing and the only one who can save the present is Josh Future Man with a well-put final lesson on responsibility. Rogen’s Susan is superb, but this time more than ever, everything relies on the main heroes, who certainly seem to make the most of all the antics. An excellent season finale.