Biografie
Born in Bukittinggi, Indonesia in 1921, Usmar Ismail is generally considered to be the father of Indonesian cinema, and his entire body of work was directly engaged with the ongoing evolution of Indonesian society. He began as a playwright. During the Japanese occupation, he developed an interest in filmmaking. He began making films in the late 1940s and then started the film production company Perfini in 1950.
東京国際映画祭
Regisseur
Filme | |
---|---|
1968 |
Ja Mualim |
1965 |
Liburan Seniman |
1964 |
Anak-Anak Revolusi |
1963 |
Masa topan dan badai |
1962 |
Anak Perawan di Sarang Penjamun |
Bajangan Diwaktu Fadjar |
|
1961 |
Korban Fitnah |
Toha, Pahlawan Bandung Selatan |
|
1960 |
Laruik Sandjo |
Pedjuang |
|
1958 |
Asrama dara |
1957 |
Delapan Pendjuru Angin |
Sengketa |
|
1956 |
Tiga Dara |
1955 |
Lagi-lagi Krisis |
Tamu Agung |
|
1954 |
Lewat Djam Malam |
1953 |
Kafedo |
Krisis |
|
1951 |
Dosa tak berampun |
Enam djam di Jogja |
|
1950 |
Darah dan Doa |
1949 |
Harta karun |
Tjitra |
Drehbuchautor
Filme | |
---|---|
1968 |
Ja Mualim |
1965 |
Liburan Seniman |
1964 |
Anak-Anak Revolusi |
1962 |
Anak Perawan di Sarang Penjamun |
Bajangan Diwaktu Fadjar |
|
1960 |
Laruik Sandjo |
1957 |
Delapan Pendjuru Angin |
1955 |
Lagi-lagi Krisis |
1953 |
Kafedo |
1951 |
Dosa tak berampun |
1950 |
Darah dan Doa |
1949 |
Harta karun |
Tjitra |
Produzent
Filme | |
---|---|
1970 |
Ananda |
1963 |
Masa topan dan badai |
1962 |
Anak Perawan di Sarang Penjamun |
Bajangan Diwaktu Fadjar |
|
1961 |
Toha, Pahlawan Bandung Selatan |
1960 |
Laruik Sandjo |
1958 |
Tjambuk api |
1957 |
Delapan Pendjuru Angin |
Sengketa |
|
1953 |
Kafedo |
Krisis |
|
1951 |
Dosa tak berampun |