Kathryn Milliss

After graduating from Swinburne in the mid 1980s, Kathryn performed a number of roles in the camera departments of feature films, including Flirting, Wide Sargasso Sea, Sirens, The Sum of Us & To Have and To Hold. Kathryn in fact worked in every camera department role on John's films, from Clapper Loader on Flirting to Focus Puller on Wide Sargasso Sea and Sirens, where she also shot 2nd unit.

In 1996 she was Director of Photography on the feature film Thank God He Met Lizzie, directed by Cherie Nowlan. More recent credits as DOP include the award-winning feature documentaries Helen's War and Forbidden Lies (director Anna Broinowski), and The Fall of the House (director Geoff Burton).

As well Kathryn has worked as DOP on numerous television documentaries and documentary series, including Poms, Silma's School, Not Forgotten, Art House and Making of Modern Australia, and on the Australian chapters of Michael Apted's documentary series 49 and 56 Up.

Antidote Films