Kritiken (1)
Discourse in motion! As it has been stated: "the intertwining of photography and poetry in the rhythm of uneven shots" - words and slogans, politics and revolution, pathos, and struggle saw each other in photographs of themselves and danced through several beautiful May nights to the beat of batons and to the beat of the director's montage; spring and tear gas could be felt in the air. The revolutionary left-wing discourse completely absorbs the meaning of the presented photographs and, of course, their connections and intertitles, and most importantly the connections between the two. The Barthesian "study," the sphere of meaning, cultural and political significance, is the main driving principle of Cinétracts, but not the only one - the "punctum," that overwhelming and nonsensical, senselessly beautiful force of the depicted scenes captured in every photograph. And it is (perhaps mainly) the punctum and not so much the study that still stirs the imagination of all those who do not rely on mere study, because only through it will we not see the next revolution and the next future.
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