Lima

A thrilling film where I didn’t mind the excessive runtime. De Niro and Al Pacino are reunited in a movie after a long time and it's worth it. A brilliant mix of action and a kind of subtly psychological portrait of two standing on the opposite side of the law, but who have respect for each other and something in common. Some passages are based on real events, e.g. the pivotal scene of DeNiro and Pacino's conversation in the restaurant actually happened. Heat is one of the best films of the 1990s.

I don't believe anyone will make a better version of Frankenstein in the future than Brannagh. Inventive direction, striking visual stylisation and an irresistibly nasty De Niro. I don't want to insult the black and white classic, but while Boris Karloff rather makes me laugh, De Niro's monster evokes real terror mixed with pity.

Mediocre by Zemeckis’s standards, but the story itself hides a lot of truths. The desire for eternal youth...I can't count how many such eternal young women I see on the street.

The story of a religious fanatic who does not hesitate to take up the sword for the glory of God and for whom the desire for a normal life is alien. It is hard to believe that this film was made mainly to use the costumes from Markéta Lazarová. The Valley of the Bees is equally exquisite, oozing the atmosphere of the 13th century, and Zdeněk Liška's music is unique as always.

Already the opening shot of De Niro's tattoos on a chiseled body gives us a hint that we are going to see something interesting. Scorsese is back on his game and this remake easily surpasses its black and white predecessor. It's worth seeing, if only for the scene where De Niro as a supposedly bohemian teacher seduces Julliete Lewis – what she does is fabulous acting. I'd give it five stars, but the ending is unfortunately stupid, drawn out in the classic Hollywood way.

An action blast with revolutionary visual effects never seen before. Five stars for the T-1000 and its metamorphosis, five stars for the vision of nuclear war, three stars for the script, as well as for some scenes that were too militant for my taste (Arnie vs. a column of police cars). But to overlook the fact that this film meant so much to the development of filmmaking technology and visual effects would be a great sin. Therefore, the only and correct rating is for five, it’s just awesome!

Colin Firth looks too slick, lacking the devilish sparkle that Malkovich has in Frears's version. The whole film is surprisingly bland, without much emotion. Forman lost the direct contest with Frears commercially and, unfortunately, artistically.

It's not badly shot at all, the storm scene proves that this is a Scott film. But the rest? A story not worthy of a master of grand spectacles and original art stylization. That said, I can recommend it as a film to kill an evening.

An exhibition by De Palma, where he delights film fans with various references to famous works of the past (Battleship Potemkin and others). The biggest star is not the Oscar-winning Connery, but the secondary character of Al Capone, phenomenally played by Robert De Niro.

A great comic-book adaptation that combines elite Shakespearean actors, Hollywood celebrities, Singer's skillful direction and great visual effects. The casting is flawless, especially Wolverine and Toad.