novoten

When I saw My Sassy Girl as my first Asian romance a few years ago, I told myself that such a pleasant film would become unforgettable if some incomprehensible motives were suppressed. The wish fulfilled, the emotion intensified, with my beloved queen Elisha in the leading role and a melancholy soundtrack that fits perfectly. It's as if I haven't left the tree yet and I'm still reading both letters. And I sincerely regret that the local admiration for Asian classics and the automatic shooting down of their remakes prevent Jordan and Charlie from getting the deserved extra percentages.

Risk of spoilers When a murderous computer appears in Buffy or The X-Files, fans (not without reason) classify such episodes as worse. When a fighter plane in Stealth starts thinking for itself, it becomes a flop that the public loves to mock. And when a giant central security computer in Eagle Eye starts causing trouble for the American government and tries to take the fate of the world into its own hands, it becomes a hit. A significant portion of the user community may consider the plot to be infinitely dull, but with pleasure they give the film a positive rating, saying that the ride was worth it. Unfortunately, it wasn't. I would much rather see more of Shia as a poker teacher or as the confidant of a lonely mother in a cargo box. I don't mean to say that he doesn't suit the gun, but in such moments we get too close to falling telegraph poles, makeshift lists of future victims, and sound vibrations reflecting off a mug. Caruso's first unfortunate stumble, which unfortunately marked his career with bad luck.

Life, death, north, past, question marks, inability to cry - and a Serbian folk song? Next time, I'd rather not. The very emotive drama reaches its evident climax in the middle of the film, at the moment when three fatedly unhappy women lean over a puddle of blood. However, when Bogdan enters the scene, not only does the orchestra follow suit like a great wave, but also a strange and forced tragicomedy, which reduces the relationships built up until then to mundane dialogues. The music does not fit the intimate atmosphere at all, and in the end, it combines with a twist for which I am still searching for an explanation.

It wasn't love at first sight. I criticized the simplicity of the battles, while the atmosphere had a false fantasy veneer. However, as Gut's journey with the Hawks continued, Griffith and his comrades easily wrapped me around their fingers, to the point where defending myself seemed futile. I became tangled in intrigues, fell in love with Casca, and most of all, I yearned to be close to those moments when Guts wielded his invincible sword. And no matter what ending the viewer anticipates, they still cannot adequately prepare for the captivating and (even though unfortunately enforced) incredibly daring epic drama. But now, words are unnecessary, and those who are unfamiliar should run and watch, because this journey simply must be experienced.

Perfect camera, actors who create an unrepeatable atmosphere and metaphorical mysticism in full force within two sentences. And as the sweetest bonus, symbolism that doesn't try to kill me six years before Marketa Lazarová.

For the third time into Sharpay's intrigues, Troy's cuckooing, and Gabriella's sweet voice. But this time for real. And the worst part is, I'm not pretending, I don't want to go against the current, but I really enjoyed this movie theater. Even though the story is hollowed out to the bone, the twists happen very oddly (prom/no prom or breakup/no breakup), and everyone is smiling, supporting, and reconciling. So what if you go full throttle from the beginning and at the end, I realize that I might even miss a few faces for my own guilty surprise. The local trash wave is just a pitiful pseudo-pose as expected.

The most romantic creation of Master's fantasy. Throw away the quality standards because here we fly over mountains, doors open into four different spaces, all the main characters change their appearance, and magic is not far away. And the world of animated film is once again richer by one little treasure, much to my immeasurable joy.

He lives in Los Angeles, he is a private detective with a long coat and a loner. And a vampire with a weakness for a cute blonde. And it's not Angel. But because every proper detective story starts with a girl, there will also be love, fate, conflict, action, and an incomparable atmosphere here. With this, I thank CBS for bringing Mick into the world - and at the same time curse them for giving him so little time.

The third part came like an uninvited poor relative whom you don't like even before they knock on the door. However, while everyone expectedly wanted to kick it out, I found a way to it. And this despite my suffering from the loss of Rachel Weisz and therefore the inevitable transformation of Evelyn into a character who is neither a writer nor an adventurer, just a mandatory maternal element. With the change of director, he also lost a class of more childish humor, but I am still a viewer who hears, admires Brendan Fraser's adventurous position in big-budget archaeological trips, and holds my breath during the prologue, autohonic, or avalanche. Although I was one of the worst prophets, I must now admit that I was surprisingly wrong. Shanghai and the Himalayas cannot replace Egypt and London, but still - thanks for my beloved series only dropping one class and not ending as deep as it could have under the hands of another team. 75%

We all know that the strike from TV series hurt Jack the most. That's why his first appearance brings the expected enthusiasm that he finally shook off this below-the-belt blow. He can still toughen up the music for the right cause, take anything in his hands to neutralize the enemy, and when he gets close to someone whom fate has not been kind to, he quickly bends dangerously. However, as a supporter of the classic look of Los Angeles, I have to add in the same breath that relocating to this location was probably not the happiest idea. We have already seen everything in Blood Diamond, Hotel Rwanda, or City of God, and even the highly political storyline this time offers nothing surprising. It's hard to get used to the fact that even Jack Bauer can come up with (only) a pleasant average. Nevertheless, Redemption should not be condemned because it is essentially just an appetizer for fans, a full-length prequel. And in terms of those standards, the quality is actually high.