Kaka

An honestly told story about a truth that all company founders know all too well: it's not so much about talent, but about perseverance and the drive to move forward. The Founder may not be as inventive and sophisticated as other bombastic tales of ascent, but it cannot be denied a certain degree of realism, occasionally biting sarcasm and functional elements from life (family problems, debts, etc.). It may not have any climactic moments, but it's a classy film. Michael Keaton steals the whole film for himself and the statement "the older the better" applies to him as well.

I understand the enthusiasm and exaltation of this series. After all the idiotic crime shows like CSI and Cobra 11, this is a fresh, atypical ride through a gritty, mythological medieval period, but one that doesn't forget to use vulgar language, sex, and often cut someone's head off for effect. This blending of the old with the "modern" is cool and confident and there's no denying the great atmosphere, and the fact that the lack of a budget and therefore the absence of juicy, spectacular battles can be forgiven. The characters have depth, and each of them usually plays an important role in the intricacies of the story. It's catchy, although there's that serial aftertaste of drag, but fortunately, the least in a very long time. Giddy-up for the second season.

A spectacular ending to the season that captivates with scenes as heroic as they are intimate. It’s one of the few episodes with a minimum of filler, the story has drive and has nothing redundant or gratuitous. The motivations of the characters are clear, unambiguous, the twists are minimal. Things are likely to be more drastic in the coming season.

The penultimate episode is full of emotion, an interesting barbarian resuscitation ritual and a gripping finale, probably the most pivotal scene of the entire season and at the same time probably a ruthless indication of where the Game will actually go and how the characters will be dealt with.

An episode entirely about intrigue and political infighting, spiced up by two attractive minor duels – a fencing teacher and a barbarian warrior. The zombie thread is still taken with a grain of salt, let's see what the writers have planned for it.

Exceptional character work, brilliant pulling of strings and intrigue. One of the best episodes so far, if not the best. The ending (the coronation) has incredible intensity and an exemplary build-up of tension, while remaining completely unpredictable.

A top-notch episode working primarily with the chapter beyond the Narrow Sea this time, which is compelling in its intensity and naturalism. At the same time, you can feel that things are getting darker and big twists are coming.

Amazing episode. Breathtaking scenes of the Erie with the visual opulence of classic big movies, a great duel of Stark vs Lannister and overall a very plot-dense episode where the pieces on the chessboard move forward at a very fast pace. Most of the story revolves around the troubles in the capital, the wilderness part doesn't get any space at all this time. A balanced and thick episode.

The dialogue filler continues, spiced up with a superb jousting tournament. A not very revelatory episode with stagnant pace and action.

Clearly the weakest episode of the first three without any dominant scene or plot twist. A rather pointless episode, then, which only creates a kind of connective tissue between the rest and brings crystallization rather than a shift in the plot.