Kaka

An indie relationship film with just the right balance of coming-of-age drama, crime thriller and teen comedy. Shailene Woodley is superb. Plus for the filmmakers' efforts to present the teenage fable as realistically as possible, including slightly more explicit scenes with sexual overtones, where a lot is implied but just enough is shown. The ending is passable, but predictable. A small, low-key film that's dense and suspenseful enough for one viewing, but not for a second – there's nothing more to discover.

A film where the protagonists look at each other in different acting positions and almost all the time, where the music supports the overall tension and a kind of invisible suspense, with the camera taking rolling panoramas of Montana. A lot could happen, but in the end nothing really does. A poorly made film by a director who obviously wanted to replicate the fragility and poetry of Pian, but incorporating it into a gritty western doesn't work. I don’t get the Oscar, I believe it put to sleep more than one viewer. And it almost put me to sleep.

Right between 3 and 4 stars. Comparisons with the films: Alan Ritchson's Reacher are undoubtedly better adaptations of the book, with theirmusculature, their buzz, and their dry catchphrases; and Tom Cruise is a better actor. The Reacher series honours the source material better and more accurately, but it loses its pace quite dramatically in the middle, the storytelling around the criminal conspiracy is not fully rendered and some of the actions of the main and supporting characters are very questionable in places. Cruise, as usual, threw himself more fully into the action and although the show's creators, not to mention the lead actor, are not afraid of it, they don't have Cruise for stunts. The bottom line is that while the films can be embraced by a broader spectrum of viewers and especially the first one works well as a "universal" crime drama, the series will be more for die-hard fans and lovers of 1980s nostalgia and the smell of good old-fashioned action heroes.

Too bad about the bloated, overly action-packed and overall overdone finale. When you have a explosions and other technical flourishes, but lack a budget, the result is usually shit. And so it was in the last episode of Reacher. If it was a feature film, it wouldn’t even be average, because it's got all those bad trademarks of the failed 1980s and unfortunately the last episode doesn't even look very parodic. In this episode, Reacher became a heroic good guy, which suit him, he's much better as a wily maverick with caustic humour and big fists teetering on the edge.

Probably the highlight of the entire series. A spectacular unraveling of the case, an effective ambush in a house, and Reacher with a B and a dessert bar doing good for most of the time he's on set. That's the way I'd imagine the whole series would be: fast pace that leaves no room for missteps and too much talk.

Hectic, whiny, Spider Man soap opera. Or when you don't know what to do with the story, make a hodgepodge with time planes and multiverses, everything goes better afterwards because it can basically be about anything – and you have unlimited space for action set-pieces. I don't understand the enthusiastic reactions because it's a grueling 150 minutes. A fine return of friends and some tried and true bad guys, but in real time there's absolutely nothing going on.

This is a bit like Narcos. A likeable gangster episode that features a slightly messy shootout in the woods, some great action on stairs (like some moments from the Daredevil series), and a wisecracking Reacher who is more entertaining than usual.

A new character that is quite interesting and you want to know more about them. However, if it weren't for the last 5 seconds at the end, it could have easily got five stars.

The fourth episode is dominated by a confusing and intricately arranged unravelling of the main plot. There is little action, that is rather for effect and with a very TV feel. The chemistry of the central duo is just on the edge between comedy, satire and a serious note.

A bit too much Punisher in a non-Punisher way, that is, if you don't count the hulking Desert Eagle behind his waist and a bit too little of the wit and irony that pleasantly refreshed the previous two episodes. Even so, the story puzzle works well so far and the slow reveal of pieces on the chessboard makes sense.